Collection by Charlotte Oldham
Kitchen
The windows in the bar area are a more modest size than those in the living area, yet boast the same effect thanks to the simple, graphic frame. Set into a white-tiled wall and framing the ebony cladding, this window adds an element of drama that complements the striking blue cabinetry and gold details.
After: The family displayed a vibrant collection of carnival glass found at a flea market on the wall to the left of the dining table. “There’s more,” Geoffrey explains, noting their luck. “That’s not all of it.” The grand dining table is actually Powell’s family table from childhood, Geoffrey says, with his childhood kitchen table placed in the middle. Vintage steelcase chairs surround, found on eBay. The chandelier is Gino Sarfatti for FLOS. “We believe it's vintage to the 1990’s,” Geoffrey says. All exterior walls are painted Benjamin Moore’s Bohemian Lace.
After: The kitchen’s countertops and backsplash are “all those 1950s-30s enamel card tables,” Geoffrey explains. “That was a decision I made early on; it took me a year and a half to collect them all.” The beams were a great surprise; they were hidden away in the ceiling. The appliances are former Consumer Reports test appliances bought at auction, and the ceiling lights are a custom design, intended to look mid-century.
Not every client-designer relationship would have thrived under such extreme circumstances, but Dovey credits Sarah and Ben’s attitude for the project’s success. “They were observant and thoughtful, and really took the time to ask all the right questions,” says Dovey. “In the end, it went so well just because of the great relationships.”
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