kitchen

House with a View, Doomo Architects

THE FUTURE OF KITCHENS Cardenio Petrucci has seen the kitchen assume increasing prominence, to the point where it’s akin to a piece of fine furniture.

This rustic eucalyptus-log-and-thatch roof, located within an eclectic El Salvador beach house, counterbalances the effect of the monolithic concrete island and glossy subway tile backsplash.

In the kitchen, buffed concrete floors, chrome globe lights, and a fleet of Bertoia chairs comprise a sleek backdrop for quirkier pieces like the marble-topped wooden tables from a Catholic school, snagged at a local flea market. The secret to the spare, uncluttered shelves? A dispensa, or walk-in pantry, down the hall. “We hide everything we don’t want to see,” Sticotti explains. “We don’t want to have to look at brands.”

A couple takes a minimalist approach to their Brooklyn apartment, focusing on supple materials, subtle gradations of color, and custom finishes by local craftsmen. The Mandayam–Vohra family gathers under one of Workstead’s signature three-arm chandeliers, shown here in its horizontal configuration. Bartenschlager designed the white cabinets and is responsible for the walnut counters both on the kitchen island and near the stove.

Designer in Brooklyn, New York "The pieces in the space are a combination of industrial reclaimed finds and bespoke, often both in the same item. The cabinets were a vintage medical find, powder-coated and set up on welded stilts. The mirror was commissioned from Made In Chinatown. Ceiling color and texture came through lots of trial and error in order to avoid the heavily toxic and arduous process normally involved in staining concrete. The mezzanine sign which marks the space was acquired through a long chain of inside jokes from a friend—I'm still unsure exactly of its origins, possibly the bygone New York Subway signage system."

© Vojteck Ketz courtesy of Marta Nowicka & Co.

Vintage lover Sarah Benson worked with local firm Bright Designlab to gently update her 1925 home in Portland, Oregon. In the kitchen, Moroccan cement tiles featuring a blue Hex Dot pattern by Popham Designs cover the floor.

Rustic Dream

For their new kitchen, Michaël Verheyden and Saartje Vereecke incorporated a Smeg cooktop, oven, and range hood, stainless steel cabinets from Habitat, and personal accessories like a prototype goblet.

In the kitchen of Floating Farmhouse in Eldred, New York, a custom-built wood-fired oven extends up to the ceiling, accentuating its steep pitch. Photo by Mark Mahaney.

The Feld kitchen bridges eras by bringing together traditional designs and materials (the big Shaw’s Original English farmhouse sink, fir floors, honed marble counters) with industrial designs. Open walnut shelving helps convey a sense of lightness. The pot-and-pan drawers pull out for easy access, while rolling steel-framed panels of textured glass above the counter act as a scrim, allowing the Felds to choose what to obscure and what to display.

The designers fabricated everything in the house, down to the quarter-sawn pine and macrocarpa-wood kitchen cabinetry and concrete floor. “Physically the most challenging part of the build was wrestling an incredibly slippery concrete pump up the muddy driveway in the rain!” says designer Ben Mitchell-Anyon. The enamel pendant light is vintage. Photo by: Paul McCredie

A restoration by Scott and Scott Architects of a 1950s post and beam home located at the base of Grouse Mountain on Vancouver's north shore. Scott and Scott explains: "The house, while extensively renovated over the years, had a modest scale, well proportioned rooms and a strong connection to the wooded and mature yard. The project consists of the design and construction of the restoration and renovation of the 150 sq. m house. The living space was stripped of embellishments, services rationalized and the enclosed stair was replaced with a new open stair of steel and fir which allows for the light from the second floor hall window to connect with the ground floor. The project draws from the architects and clients (two history professors) shared interest in traditional materials and respect for the original details of the house.