Pro designers know their whites—better yet, they know that the perfect shade can bring it all together. While navigating the countless possibilities, Bogdan Tomalevski of Colega Architects in Culver City, California, says the discussion around the perfect shade comes up a lot with clients.

"With the number of options there are in the white range, we choose to introduce hues of warm or cool tones depending on the project," he says. "Although the color will be experienced as white, the hue does make a significant difference."

For those currently weighing the options, trusted recommendations from a group of talented architects may offer some peace of mind. Read on (and bookmark) this guide for a more enjoyable selection process.

Benjamin Moore, Swiss Coffee

Alexander Jermyn of Alexander Jermyn Architecture LTD in Berkeley, California, selected Benjamin Moore's Swiss Coffee for the TP-H Residence in Palo Alto. "The exterior white was carefully chosen to make the surfaces appear bright white in sunnier conditions but then provide a more nuanced, richer white in overcast light or shadow," he says.

Benjamin Moore, White Dove

For the project's spare interior, Jermyn chose Benjamin Moore's popular shade, White Dove. "The interior white strikes a balance between not being too cool or too warm," he says. "It is very conducive to accept prints or bolder artwork as a neutral but inviting background."

Sherwin Williams, High Reflective White

Architect Josh Manes of Josh Manes Architecture chose High Reflective White by Sherwin Williams for his contemporary residence in Westhampton Beach, Long Island. "We wanted a clean feeling throughout the house and a real true white with no yellow undertones," he says. "There's a slight hint of warmth to this color, so while most stark whites can leave a home feeling cold, this one brings a lot of comfort to the modern space."

Benjamin Moore, Mountain Peak White

Eric Haesloop of Berkeley’s Turnbull Griffin Haesloop Architects recommends Mountain Peak White by Benjamin Moore. "We like the way the white highlights the simple agrarian forms, and on the inside, the way the white walls reveal the changing light throughout the day," he says.

Dunn Edwards, White Picket Fence

Bogdan Tomalevski of Colega Architects selected White Picket Fence from Dunn Edwards for a library/living room with expansive views. "It has warm tones that complement the natural walnut cabinetry," he says. "The project also has matte white cabinetry, and we wanted to differentiate between those two materials and colors. Most people may not cognitively notice this intricate selection, but there is a subconscious factor that we as architects believe is inherent in all color theory decisions we make."

Benjamin Moore, Chantilly Lace

Architect Amy Alper, principal of Sonoma-based firm Amy A. Alper, chose Chantilly Lace for the exterior of this picturesque vineyard farmhouse. "Chantilly Lace is among the most neutral of whites I have found (without red, blue, green, or yellow undertones) and so fully set off rich tones of the deep bronze door and window frames," she says.

Benjamin Moore, Cotton Balls

Alper's Sebastopol Hillside Residence features two different shades of white to complement the room's wood finishes. "Cotton Balls has a creamy warm undertone that harmonized with the bleached oak floor and rift white oak cabinets," she says. "The ceiling was painted the lighter brighter tone in the series, Mountain Peak White, to further bounce the uplighting in the space and set the ceiling off from the walls."

Benjamin Moore, Simply White

"Simply White is a perennial favorite in our office, frequently used both on the interior and exterior of our residential projects," says Jeff Guggenheim, principal architect of Guggenheim Architecture and Design Studio in Portland, Oregon. "With a hint of subtle warmth, it complements the Northwest native wood species we so often highlight in our work."

Benjamin Moore, White Wisp

Greg Howe and Pam Lamaster of Chicago architecture firm Searl Lamaster Howe chose Benjamin Moore's White Wisp for a contemporary, linear facade. "Selecting a white for a home's exterior in an area with a climate like Illinois can be a challenge," Howe says. "White Wisp was used on this project because it is a subdued hue that looks equally good on a cloudy winter day as it does in full sunlight in the summer."

Benjamin Moore, Cloud White

Inside, Howe and Lamaster selected Benjamin Moore's Cloud White. "Cloud White is a versatile color in the sense that works well with both warmer and cooler tones," they say. "It will still read as a true white regardless of what other colors are in the same space."

Sherwin Williams, Snowbound

Dallas-based Architect Michael Gooden of M Gooden Design recommends Snowbound by Sherwin Williams. "Snowbound is a soft, natural white that works well when paired with natural materials and organic elements of the design," Gooden says. "It takes on the warmth of its environment while still presenting a crisp expression on level-5 finished walls."

Benjamin Moore, Simply White

For Risa Boyer, Principal of Risa Boyer Architecture in Portland, Oregon, Benjamin Moore’s Simply White is a tried and true favorite. "It’s really important for paint colors to look good in all different lighting conditions," Boyer says. "Simply White stays true to its color."

Benjamin Moore, Oxford White

Montréal’s Justine Dumas of Appareil Architecture chose Oxford White by Benjamin Moore for interior surfaces of the Grand Pic Chalet. "This color was chosen because it goes well with wood, and it brings out a warm light without being too yellow," Goulet says. "It is also the perfect balance between bright and warm in order to go with the forest and the trees that surround the house."

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