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Collection by Laura Das
jewell
The living area is designed for entertaining. On sunny days, the glass walls slide back so it’s totally open. The semi-opaque screen can also be opened to catch the last rays of the setting sun. At night and in poor weather, the whole assembly closes up, the laminated sliding doors sealing out drafts and locking in the day’s warmth.
As is typical for a bach like this, the owners have used inexpensive furnishings; in this case, second-hand bar stools and generic paper shades.
Architect Kevin Alter integrated wood from the original bungalow into the kitchen and covered the island in Carrara marble, with an interior clad in wood. A long table extends from the side of the island, and wine storage is integrated into one end of the island. New appliances include a Wolf range, a Broan hood, and a Miele oven and refrigerator. The Fucsia pendant lights are by Achille Castiglioni for Flos.
Brammy and Kyprianou hung Koura pendant lights by New Zealand designer David Trubridge above the dining area. Their organic forms and diamond-shaped shadows create intimacy in the vast space. Among Bilardo’s contributions were the black tulipwood cabinetry and ceiling and the cantilevered concrete countertop that appears to go through the glass wall.
The 1,000-square-foot pavilion was completed in 2009 as a volunteer structure and tool shed--though today its used far more by the public than initially anticipated. "The garden was wiped out after the storm," McKay recalls. "There was nothing, zero. Volunteers came in and replanted everything." Photo by Frank Doering.
The decidedly industrial exterior features smooth dark gray stucco, a custom steel mesh wall, and a metal spiral staircase leading from the ground floor to the roof deck. The clients love the industrial look because it feels raw and natural to them. The footprint of the new addition lies at the rear of the existing home, and the dark exterior helps seamlessly integrate the new structure into the natural slope of the land. According to architect John Klopf, the new addition acts as a spatial backdrop for the existing structure, “receding visually out of respect for the original home.”
Architect George Bradley and his husband, Eddie Baba, renovated a 1941 house in San Francisco. Tiles from Heath Ceramics surround the Ortal Clear 130LS fireplace. The white ceramic logs are by Klein Reid (but of course can be replaced with real firewood!), and the firewood storage continues the same dark horizontal band that contrasts with the light-colored fireplace cladding.
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