interior

Here is a peek of the living area. There is an additional sitting area just around the corner.

Completed in 1953 by architect Harry Nakahara, this home sits at the end of a cul-de-sac in Berkeley Hills and was specifically designed to take advantage of the panoramic views of the Bay Area bridges, city skyline, and Mount Tamalpais. The majority of the home's original features—including the layout, finishes, and light fixtures—are still intact, while specific updates to the kitchen have been made.

In an effort to keep costs within budget without sacrificing looks, the fully gutted and renovated kitchen features IKEA cabinetry framework with shaker-style fronts by Semihandmade. The cabinets were painted Farrow & Ball Pigeon.

Formerly the site of a French polishing company in the 20th century, this building in Clerkenwell, London, was converted by Chris Dyson Architects in 2015 into a residence with an expanded basement and triple-height living space that allows a dramatic feature staircase to take center stage.

The architecture firm L. McComber Itée demolished a sloping ceiling in this Montreal attic to create a bright, roomy live-work space.

The living room is furnished with rattan chairs from Fritz Hansen, a Muuto side table, an Artichoke pendant by Poul Henningsen for Louis Poulsen, and a blue Living Divani sofa, one of a few color-popping accents found throughout.

Knob Modern, helmed by Amy Beaumont, renovated this 1964 cookie-cutter home in Tempe with an eye toward making the two-bedroom, two-bath home "stand out from the rest.

To combat the environmental impact of a shortage of green spaces in Ho Chi Minh City, local firm VTN Architecture designs homes with lush interiors. Stepping Park House exudes a greenhouse vibe with a plethora of trees and foliage spanning all three levels of the 5,081-square-foot abode.

For Paul and Shoko Shozi, a pair of retiring Angelenos, the goal was to shut out the neighborhood but bring in the sunny skies. Their new prefab home, the Tatami House, designed by Swiss architect Roger Kurath of Design*21, makes a central courtyard the physical, and maybe even the spiritual, center of the home. Because the Japanese maple in the courtyard had to be planted before the ipe deck was laid, Kurath designed a small removable panel to allow access to the tree’s base. The Shozis can pull up the bit of decking to tend to the tree and replace it when they’re through. And because the boards line up perfectly, only the gardener need know it’s there. From the kitchen and living room you’re well connected to the courtyard and the rest of the house.