Collection by Rebecca Orlov
The Floating Farmhouse’s semitransparent addition has a roofline that matches the pitch of the original 1820s farmhouse. A porch, tucked under the side eaves, is cantilevered over a stream that runs through the property. Ikea loungers are illuminated from the interior by commercial gymnasium lights repurposed as pendant lamps.
The new home’s porches glow like lanterns at night.
Tom Givone's current weekend abode, nicknamed the Floating Farmhouse, is—so far—his capstone project, a synthesis of personal taste, material experimentation, and historically sensitive restoration: a living laboratory for how to bring the vernacular past into the present.
Kolasiński got rid of half the ceiling, letting it soar up to 23 feet. “My biggest aim was to create an open space and make the house look bigger,” he says.
Homeowner Tom Givone states, “The hope has been to combine archaic and modern elements in a way that would enhance the beauty of each by virtue of its contrast with the other." While the table is situated in front of the house’s rear wall of skyscraper glass. The laminated kitchen cabinets by Ikea are framed in wraparound bluestone; the 48-inch commercial range is by FiveStar. Photo by: Mark Mahaney
The north wall of the IST home functions as a cut-away, offering a peek inside an efficient yet cozy dwelling. Architect Peter Jurkovič built the home for a woman who had sold her flat in the big city of Bratislava and wanted something that reminded her of the village life of her childhood.
Sun Volt
With the roof angled at 43 degrees, the architects lined the southern slant of the house with solar panels to collect as many rays as possible. Karanesheva and Witzmann started with four, but then added 23 more, all by Systaïc; the company gave them a deal since theirs was its first installation in France. The panels now collect far more energy than the home actually needs, a precious resource that the pair sells back to the power company.
systaic.com
Built by a crew of three, the home makes a virtue out of being unfussy and straightforward. The north-facing glass wall under the gable, with a triple-glazed facade, doesn't require shading or insulation. The quick-to-build structure—which consists of just structural insulated panels (SIB) made from OSB panels with a foam core, and a concrete floor that retains heat—doesn't include any complicated systems or require much maintenance.
Balanced above the central core, the office offers an ideal perch for work with a west-facing skylight that provides natural illumination for the shared desk space.
In the existing house, the wood beams were hidden under sheetrock and wallpaper. "I exposed them all, but I didn't let that dictate where the new walls would go," Givone says. "I let the beams fall where they may."
Four distinct structures make up the house. Their design echoes the shape of an older, gabled-roof building already on site. “We considered the neighboring construction quite interesting in terms of scale and layout,” de Carvalho says. “Due to the proximity, we felt the necessity to integrate it in the design.”
The architect chose granite for the house’s base, zinc for its roof, and Scandinavian pinewood for cladding—all materials that complement the nearby gray stone building.
Seen from a distance, the farmhouse has a time-honored quality, though it’s still clearly a product of the 21st century.