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Collection by Nik Kaestner

Inspiration

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Tiny houses are spreading across the world—and probably because it really just makes sense. The tiny home lifestyle is the ultimate application of creative resourcefulness, and allows residents to reduce their environmental footprints without sacrificing good design.
Tiny houses are spreading across the world—and probably because it really just makes sense. The tiny home lifestyle is the ultimate application of creative resourcefulness, and allows residents to reduce their environmental footprints without sacrificing good design.
“We pulled apart one volume and staggered it along the buildable area of the property,” says architect Matthew Ahlberg of Portland firm Barrett Made. The home is clad in unfinished cedar, meant to weather over time.
“We pulled apart one volume and staggered it along the buildable area of the property,” says architect Matthew Ahlberg of Portland firm Barrett Made. The home is clad in unfinished cedar, meant to weather over time.
Leather sling chairs from CB2 surround a dining table by Joel Duprass.
Leather sling chairs from CB2 surround a dining table by Joel Duprass.
Considered the finest residential example of International Style architecture in Denver, the 1951 Joshel House was in serious disrepair when Dominick Sekich and Scott Van Vleet bought it in 2013. They embarked on a major renovation to re-create the vision of the original designers, Joseph and Louise Marlow.
Considered the finest residential example of International Style architecture in Denver, the 1951 Joshel House was in serious disrepair when Dominick Sekich and Scott Van Vleet bought it in 2013. They embarked on a major renovation to re-create the vision of the original designers, Joseph and Louise Marlow.
Beyond the large pedestrian gate, “which is really the home’s front door,” says Gottschalk, “the house begins to reveal its strong indoor and outdoor relationship. Blurring the boundary between the two is a key design element.”
Beyond the large pedestrian gate, “which is really the home’s front door,” says Gottschalk, “the house begins to reveal its strong indoor and outdoor relationship. Blurring the boundary between the two is a key design element.”
Plywood lines the attic guestroom of Mattie Iverson’s revamped Tudor home in the Queen Anne section of Seattle. The floor lamp is by Frandsen and the duvet is from Pottery Barn. The similarly colored bed frame lends a sense of serene continuity, and appears to float in the stripped-down space.
Plywood lines the attic guestroom of Mattie Iverson’s revamped Tudor home in the Queen Anne section of Seattle. The floor lamp is by Frandsen and the duvet is from Pottery Barn. The similarly colored bed frame lends a sense of serene continuity, and appears to float in the stripped-down space.
Located in California’s Sugar Bowl neighborhood, this shadowy lair by Mork-Ulnes Architects looks like something out of fairy tale. "We call the house Troll Hus, with a reference to the otherworldly beings in Norse mythology and Scandinavian folklore that are said to dwell in remote mountains," architect Casper Mork-Ulnes says.
Located in California’s Sugar Bowl neighborhood, this shadowy lair by Mork-Ulnes Architects looks like something out of fairy tale. "We call the house Troll Hus, with a reference to the otherworldly beings in Norse mythology and Scandinavian folklore that are said to dwell in remote mountains," architect Casper Mork-Ulnes says.
Karen and Brian’s home is a vibrant new addition to a block of midcentury bungalows in Vancouver, British Columbia. One of the volumes is clad in untreated tongue-and-groove Western red cedar. The other is covered in multicolored cedar shakes, which are skewed at an angle that aligns with the slope of the roof. Architect Clinton Cuddington of Measured Architecture worked with the owners to fine-tune the unconventional pattern and color palette. Concrete from the building that formerly occupied the site was repurposed for the stoop.
Karen and Brian’s home is a vibrant new addition to a block of midcentury bungalows in Vancouver, British Columbia. One of the volumes is clad in untreated tongue-and-groove Western red cedar. The other is covered in multicolored cedar shakes, which are skewed at an angle that aligns with the slope of the roof. Architect Clinton Cuddington of Measured Architecture worked with the owners to fine-tune the unconventional pattern and color palette. Concrete from the building that formerly occupied the site was repurposed for the stoop.
Triangles are a central theme in this peaceful, light-filled home. The geometric shape is reflected in a tastefully placed pendant lamp.
Triangles are a central theme in this peaceful, light-filled home. The geometric shape is reflected in a tastefully placed pendant lamp.
Planning regulations required a gable roof, which the architects split into four shed roofs carefully designed to respond to heavy snow shed and meet spatial and aesthetic wishes.
Planning regulations required a gable roof, which the architects split into four shed roofs carefully designed to respond to heavy snow shed and meet spatial and aesthetic wishes.
“The wildflower roof has reached a sufficient height now that from within the living room and main bathroom grasses and the occasional flower (and occasional cat) can be seen through the circular roof lights,” notes Pile.
“The wildflower roof has reached a sufficient height now that from within the living room and main bathroom grasses and the occasional flower (and occasional cat) can be seen through the circular roof lights,” notes Pile.