Collection by L-I

Ideias CAsa

Custom folding doors, inspired by Rudolf M. Schindler’s 1930 Elliot House, were created by Rene Maya to Andrew’s specifications.
Custom folding doors, inspired by Rudolf M. Schindler’s 1930 Elliot House, were created by Rene Maya to Andrew’s specifications.
Andrew worked with
Andrew worked with
The den’s first-production Eames Desk Unit (EDU) was “rescued” from a Gregory Ain house.
The den’s first-production Eames Desk Unit (EDU) was “rescued” from a Gregory Ain house.
Eric Lamers of Hammerhead, a craft-based contractor specializing in midcentury renovation projects, worked on the house before Andrew and his wife, Dustin Ferrer, acquired it in 2013, but it still needed a good deal of restoration. The home features an impressive collection of vintage furnishings, including an Elephant Stool by Sori Yanagi and a Luther Conover chair.
Eric Lamers of Hammerhead, a craft-based contractor specializing in midcentury renovation projects, worked on the house before Andrew and his wife, Dustin Ferrer, acquired it in 2013, but it still needed a good deal of restoration. The home features an impressive collection of vintage furnishings, including an Elephant Stool by Sori Yanagi and a Luther Conover chair.
Andrew and Dustin were meticulous in their selections for the home’s furnishings and fixtures. In the dining area, a Vista of California table by Don Knorr is surrounded by Van Keppel-Green chairs.
Andrew and Dustin were meticulous in their selections for the home’s furnishings and fixtures. In the dining area, a Vista of California table by Don Knorr is surrounded by Van Keppel-Green chairs.
Circa-1940s documents that were filed with the Los Angeles Department of Building and Safety credit William H. Thomas, who was a very close friend of graphic designer Alvin Lustig, as the house’s “certified architect.” After extensive research conducted by the previous homeowner, Andy Hackman, the current owner, Andrew Romano, believes the structure was in fact Lustig’s design.
Circa-1940s documents that were filed with the Los Angeles Department of Building and Safety credit William H. Thomas, who was a very close friend of graphic designer Alvin Lustig, as the house’s “certified architect.” After extensive research conducted by the previous homeowner, Andy Hackman, the current owner, Andrew Romano, believes the structure was in fact Lustig’s design.
Circa-1940s documents that were filed with the Los Angeles Department of Building and Safety credit William H. Thomas, who was a very close friend of graphic designer Alvin Lustig, as the house’s “certified architect.” After extensive research conducted by the home’s previous owner, Andy Hackman, the house’s current owner, Andrew Romano, believes the structure was in fact Lustig’s own design.
Circa-1940s documents that were filed with the Los Angeles Department of Building and Safety credit William H. Thomas, who was a very close friend of graphic designer Alvin Lustig, as the house’s “certified architect.” After extensive research conducted by the home’s previous owner, Andy Hackman, the house’s current owner, Andrew Romano, believes the structure was in fact Lustig’s own design.
Architectural designer Sebastian Mariscal and project manager Jeff Svitak created a house in Venice, California, for Michael and Tamami Sylvester. Known as Dwell Home Venice for its role as an exemplification of modern architecture, the house is an homage to indoor-outdoor living. Photo by Coral von Zumwalt.
Architectural designer Sebastian Mariscal and project manager Jeff Svitak created a house in Venice, California, for Michael and Tamami Sylvester. Known as Dwell Home Venice for its role as an exemplification of modern architecture, the house is an homage to indoor-outdoor living. Photo by Coral von Zumwalt.
Front elevation
Front elevation
Ray sits at the central hearth on the north end of the comfortable sunken living area. From this perspective, you can see how the interior spaces flow into one another, passing one half-level up into the breakfast nook and kitchen and out from there onto the overgrown hillside. The various built-in furnishings have all been there since the house's construction.
Ray sits at the central hearth on the north end of the comfortable sunken living area. From this perspective, you can see how the interior spaces flow into one another, passing one half-level up into the breakfast nook and kitchen and out from there onto the overgrown hillside. The various built-in furnishings have all been there since the house's construction.

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