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What the original building lacked in period detailing, it made up for with massive interior spaces, natural light, and a hardy palette of wood and raw brick.

Working with these loft signatures, David developed the hall’s liveable side, adding under-floor heating, and a gigantic kitchen on the upper floor running the width of the building, with a 37-foot-long solid walnut counter on top of stainless steel cabinets. This unites the dining, cooking and social spaces that run the length of the front façade on the upper floor.
What the original building lacked in period detailing, it made up for with massive interior spaces, natural light, and a hardy palette of wood and raw brick. Working with these loft signatures, David developed the hall’s liveable side, adding under-floor heating, and a gigantic kitchen on the upper floor running the width of the building, with a 37-foot-long solid walnut counter on top of stainless steel cabinets. This unites the dining, cooking and social spaces that run the length of the front façade on the upper floor.
An illuminated brick wall makes a lovely backdrop when juxtaposed against this kitchen's glossy black cabinets.
An illuminated brick wall makes a lovely backdrop when juxtaposed against this kitchen's glossy black cabinets.
Because the original kitchen had been removed, Alexandra made the decision to widen the gallery-style room by ten inches. Floor-to-ceiling glass makes for ample natural light in the eating area, while the Vitra wall tiles provide a contemporary touch.
Because the original kitchen had been removed, Alexandra made the decision to widen the gallery-style room by ten inches. Floor-to-ceiling glass makes for ample natural light in the eating area, while the Vitra wall tiles provide a contemporary touch.
The sunken bathtub in George Nakashima’s Sanso Villa mimics the shape of a swimming pool on the grounds. His daughter, Mira Nakashima, took over the studio after his death and now lives and works on the property. “A Japanese garden often has a central pond derived from the character for ‘heart’ or ‘spirit,’ and this may be an abstraction of that character,” she says of the tub’s sculptural form.
The sunken bathtub in George Nakashima’s Sanso Villa mimics the shape of a swimming pool on the grounds. His daughter, Mira Nakashima, took over the studio after his death and now lives and works on the property. “A Japanese garden often has a central pond derived from the character for ‘heart’ or ‘spirit,’ and this may be an abstraction of that character,” she says of the tub’s sculptural form.
Uncovering the original concrete surfacing of the columns, which are unusually thick thanks to the building’s original industrial function, was a major undertaking. Covered in successive layers of white paint, a team worked for over a week to expose the concrete, revealing the space’s gritty character.
Uncovering the original concrete surfacing of the columns, which are unusually thick thanks to the building’s original industrial function, was a major undertaking. Covered in successive layers of white paint, a team worked for over a week to expose the concrete, revealing the space’s gritty character.
A late-1950s set of sofa and chairs inherited from Gaffney’s granny warm up the living room, as do the stove from Charnwood and the coffee table the couple bought from Habitat for their first flat.
A late-1950s set of sofa and chairs inherited from Gaffney’s granny warm up the living room, as do the stove from Charnwood and the coffee table the couple bought from Habitat for their first flat.
To free up space, beds, shelves, and a sofa appear to be built into the wall. To accommodate the gentle curve of the "unit," the architects selected birch plywood. A large window is opposite of the beds.
To free up space, beds, shelves, and a sofa appear to be built into the wall. To accommodate the gentle curve of the "unit," the architects selected birch plywood. A large window is opposite of the beds.