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Of his design of the Lou Ruvo Center Gehry said, "The mantra is Keep Memory Alive. I’m trying to make a building that people will want to visit, remember, talk about, and enjoy, and ultimately will want to partner with us at the Center to help cure some of the neurodegenerative diseases." For 35 years, the architect has served on the board of Dr. Milton Wexler’s Hereditary Disease Foundation, established to study Huntington’s, which is why this project with Keep Memory Alive is so close to Gehry’s heart.
For the Richard B. Fisher Center in Annandale-on-Hudson, New York, Gehry worked in collaboration with acoustician Yasuhisa Toyota and a team of theater consultants. "The front façade of the building can be interpreted as a theatrical mask that covers the raw face of the performance space. Its abstract forms prepare the visitor to be receptive to experiencing the performances that occur within," Gehry said of his design.
Zaha Hadid Architects was appointed as design architects of the Heydar Aliyev Center following a competition in 2007. The center, designed to become the primary building for Azerbaijan's cultural programs, breaks from the rigid and often monumental Soviet architecture that's so prevalent in Baku, aspiring instead to express the sensibilities of Azeri culture and the optimism of a nation that looks to the future.
Shown here is a view of the stone and concrete structure that supports the cantilevered glass pavilion. The bottom section holds four bedrooms, bathrooms, and a sitting room. The glass and wood pavilion on top houses a combined living, dining, and kitchen space—all which is surrounded by 15-foot-tall windows.
Built in 1953, the Wiley House is made up of a single glass-and-wood rectangular pavilion that’s perched on top of a rectangular box made of stone and concrete. Johnson chose the six-acre plot of land himself and was particularly fond of the natural slopes of the site, which is surrounded by hickory trees.






