Collection by Christian Kramp
Built in 1953, the Wiley House is made up of a single glass-and-wood rectangular pavilion that’s perched on top of a rectangular box made of stone and concrete. Johnson chose the six-acre plot of land himself and was particularly fond of the natural slopes of the site, which is surrounded by hickory trees.
Built in 1953, the Wiley House is made up of a single glass-and-wood rectangular pavilion that’s perched on top of a rectangular box made of stone and concrete. Johnson chose the six-acre plot of land himself and was particularly fond of the natural slopes of the site, which is surrounded by hickory trees.
The house that architects Brian Johnsen and Sebastian Schmaling designed for Chele Isaac and John Neis appears to pop up from Wisconsin’s “driftless area,” an effect that is enhanced by a sedum roof that changes color with the seasons.
The house that architects Brian Johnsen and Sebastian Schmaling designed for Chele Isaac and John Neis appears to pop up from Wisconsin’s “driftless area,” an effect that is enhanced by a sedum roof that changes color with the seasons.
A LEED Platinum status house retrofitted by Kaufmann.
A LEED Platinum status house retrofitted by Kaufmann.
A couple—he an entrepreneur working in logistics, she a stay-at-home mother—bought an 8,500-square-foot house here and approached JSa, a Mexico City-based architectural firm, with the idea of remodeling it. The house was poorly sited on its lot in a manner that drew very little natural light. The architects sized it up and quickly realized that the best solution would be to tear it down and start from scratch.
A couple—he an entrepreneur working in logistics, she a stay-at-home mother—bought an 8,500-square-foot house here and approached JSa, a Mexico City-based architectural firm, with the idea of remodeling it. The house was poorly sited on its lot in a manner that drew very little natural light. The architects sized it up and quickly realized that the best solution would be to tear it down and start from scratch.
A handful of modernist classics—an Eames Lounge, a Bubble Lamp by George Nelson, and a shell armchair from Modernica—kit out the living room and kitchen.
A handful of modernist classics—an Eames Lounge, a Bubble Lamp by George Nelson, and a shell armchair from Modernica—kit out the living room and kitchen.
An enclosed courtyard, bordred by ipe, is arguably the most distinctive feature of the house that the Phil Kean Design Group created for Adriana De Azevedo, Daniel Coelho, and their two daughters in Winter Park, Florida.
An enclosed courtyard, bordred by ipe, is arguably the most distinctive feature of the house that the Phil Kean Design Group created for Adriana De Azevedo, Daniel Coelho, and their two daughters in Winter Park, Florida.
Designers Christopher Robertson and Vivi Nguyen-Robertson conceived their house as an unfolding sequence of simple geometric forms: a low concrete wall, a concrete cube, and a boxclad in Siberian larch.
Designers Christopher Robertson and Vivi Nguyen-Robertson conceived their house as an unfolding sequence of simple geometric forms: a low concrete wall, a concrete cube, and a boxclad in Siberian larch.
Nakada works from an Alvar Aalto table in the living and dining area, adjacent to the kitchen. He saved on some elements, such as the plywood cabinetry, and splurged on others, such as the Finn Juhl chairs and Vilhelm Lauritzen lamp. A skylight beneath the angled roof allows in a sliver of constantly changing light.
Nakada works from an Alvar Aalto table in the living and dining area, adjacent to the kitchen. He saved on some elements, such as the plywood cabinetry, and splurged on others, such as the Finn Juhl chairs and Vilhelm Lauritzen lamp. A skylight beneath the angled roof allows in a sliver of constantly changing light.