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Collection by Tushar

House color

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With a few small changes and regular maintenance, existing buildings are some of the most sustainable around.
With a few small changes and regular maintenance, existing buildings are some of the most sustainable around.
On an 18th-century farmstead in rural Sweden, two Copenhagen designers handcraft a summerhouse that seamlessly melds the modern and the traditional.
On an 18th-century farmstead in rural Sweden, two Copenhagen designers handcraft a summerhouse that seamlessly melds the modern and the traditional.
“When you’re working on something inexpensive and then decide you don’t like it, fine. You’re not tearing down millions of kroners worth of work.” —Mette Lyng Hansen
“When you’re working on something inexpensive and then decide you don’t like it, fine. You’re not tearing down millions of kroners worth of work.” —Mette Lyng Hansen
"Architecture exists through states of contrast; the building as a bridge between a wooded forest and a field, a strong roof line against a backdrop of trees or mountains. In these states of contrast we truly start to see where we live." -Architect Steve Kredell
"Architecture exists through states of contrast; the building as a bridge between a wooded forest and a field, a strong roof line against a backdrop of trees or mountains. In these states of contrast we truly start to see where we live." -Architect Steve Kredell
"Like the old farmhouses and barns of the Champlain Valley, the Foote Farm House has a clearly ordered wood frame on a sturdy foundation, an exterior skin made of local materials, an economy of form with tried-and-true proportions, a central fire place, and a common-sense relationship to the sun and the weather." - Architect John McLeod
"Like the old farmhouses and barns of the Champlain Valley, the Foote Farm House has a clearly ordered wood frame on a sturdy foundation, an exterior skin made of local materials, an economy of form with tried-and-true proportions, a central fire place, and a common-sense relationship to the sun and the weather." - Architect John McLeod
The architect chose granite for the house’s base, zinc for its roof, and Scandinavian pinewood for cladding—all materials that complement the nearby gray stone building.
The architect chose granite for the house’s base, zinc for its roof, and Scandinavian pinewood for cladding—all materials that complement the nearby gray stone building.
Rainwater is collected from the rooftop of the Permanent Camping! Mudgee abode by Casey Brown, NSW, Australia. Photo by Penny Clay
Rainwater is collected from the rooftop of the Permanent Camping! Mudgee abode by Casey Brown, NSW, Australia. Photo by Penny Clay
Consisting of two barnlike volumes set atop a stone foundation, the Depot House by Gray Organschi Architecture offers a locally rooted vision of New England modernism.
Consisting of two barnlike volumes set atop a stone foundation, the Depot House by Gray Organschi Architecture offers a locally rooted vision of New England modernism.
The paint does more than add visual interest, it contributes to the net-zero home's overall sustainability. On the roof, which features an impressive solar array, Valspar’s Fluropon coating in Surrey Beige heightens solar reflectivity.
The paint does more than add visual interest, it contributes to the net-zero home's overall sustainability. On the roof, which features an impressive solar array, Valspar’s Fluropon coating in Surrey Beige heightens solar reflectivity.
Nestled in a forest, the residence consists of three volumes. The patio, enhanced by a German-made beer garden table, is an extension of the living room floor, creating an indoor-outdoor living space. “It’s one way a small space can be made to feel larger,” says architect Jason W. Hart. All of the exterior doors are painted marigold, providing a friendly pop of color.
Nestled in a forest, the residence consists of three volumes. The patio, enhanced by a German-made beer garden table, is an extension of the living room floor, creating an indoor-outdoor living space. “It’s one way a small space can be made to feel larger,” says architect Jason W. Hart. All of the exterior doors are painted marigold, providing a friendly pop of color.
The house that Dake-Wells Architecture designed for Cory and Kerry Watts in the Ozarks in southwestern Missouri is defined by subtle nods to its lakeside setting, such as an elevated wooden plank that carries visitors over a bed of river rock to the north entrance.
The house that Dake-Wells Architecture designed for Cory and Kerry Watts in the Ozarks in southwestern Missouri is defined by subtle nods to its lakeside setting, such as an elevated wooden plank that carries visitors over a bed of river rock to the north entrance.
Moskow Linn Architects of Boston tackled this ground-up renovation in Cambridge, Massachusetts, for a client who wanted to maximize efficiency. Photo by Eric Roth.
Moskow Linn Architects of Boston tackled this ground-up renovation in Cambridge, Massachusetts, for a client who wanted to maximize efficiency. Photo by Eric Roth.
Scott Pitek designed this gabled structure for Betty Rahman on a 5,000-square-foot lot in Portland, Oregon.
Scott Pitek designed this gabled structure for Betty Rahman on a 5,000-square-foot lot in Portland, Oregon.
Just Glaze Double-glazed windows are typically composed of two layers of glass with a layer of air in between. You might spend more on them upfront ($200–$1,500 each), but the extra insulation can save loads on your heating bill and more than recoup your investment over time. weathershield.com
Just Glaze Double-glazed windows are typically composed of two layers of glass with a layer of air in between. You might spend more on them upfront ($200–$1,500 each), but the extra insulation can save loads on your heating bill and more than recoup your investment over time. weathershield.com
The Parklex facade visually connects the main house and coach house. “We wanted to use an exterior material that harmonized with the house’s context, which is an older neighborhood filled with Victorian houses made of Toronto red clay brick,” architect Heather Dubbeldam says.
The Parklex facade visually connects the main house and coach house. “We wanted to use an exterior material that harmonized with the house’s context, which is an older neighborhood filled with Victorian houses made of Toronto red clay brick,” architect Heather Dubbeldam says.