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Norwegian architect Casper Mork-Ulnes and his wife, American furniture designer Lexie Damner Mork-Ulnes, tackled a renovation of their 1,300-square-foot apartment in Oslo. To lighten the space, they treated the floors with Flügger’s Trelut lye, then sanded them, oiled them with PNZ Objektöl, and finished them with two coats of wax. In the living room, a reclaimed Indonesian hardwood slab from Buka Design + Hardwoods is the de facto coffee table and the painting is by Casper’s mother, Randi Mork-Ulnes. The gray Mags sectional sofa is from Hay.
Norwegian architect Casper Mork-Ulnes and his wife, American furniture designer Lexie Damner Mork-Ulnes, tackled a renovation of their 1,300-square-foot apartment in Oslo. To lighten the space, they treated the floors with Flügger’s Trelut lye, then sanded them, oiled them with PNZ Objektöl, and finished them with two coats of wax. In the living room, a reclaimed Indonesian hardwood slab from Buka Design + Hardwoods is the de facto coffee table and the painting is by Casper’s mother, Randi Mork-Ulnes. The gray Mags sectional sofa is from Hay.
To instill a soft juxtaposition to the brick and concrete in the house, Nolan specified Hycraft’s Carramar wool carpet in the living area. Set a step down, the “pit,” as Nolan refers to it, receives the low winter sun but is shielded from harsh summer rays by the deep eaves. The ledge becomes a casual seating area.
To instill a soft juxtaposition to the brick and concrete in the house, Nolan specified Hycraft’s Carramar wool carpet in the living area. Set a step down, the “pit,” as Nolan refers to it, receives the low winter sun but is shielded from harsh summer rays by the deep eaves. The ledge becomes a casual seating area.
The pixelated shelving system, made of birch and acid-etched mirrored glass, as well as the cantilevered desk, were customized for the Woolford’s space. A large glass sliding door framed in white oak separates the addition from the rest of the home. The chairs are from Ikea.
The pixelated shelving system, made of birch and acid-etched mirrored glass, as well as the cantilevered desk, were customized for the Woolford’s space. A large glass sliding door framed in white oak separates the addition from the rest of the home. The chairs are from Ikea.
A vintage Molded Plywood Lounge Chair (LCW) by Charles and Ray Eames for Herman Miller sits in front of built-in shelving in untreated hemlock.
A vintage Molded Plywood Lounge Chair (LCW) by Charles and Ray Eames for Herman Miller sits in front of built-in shelving in untreated hemlock.
A view from the foyer into the living room, which features shelves of varying heights, shows the interplay of the bamboo-veneered plywood used throughout the house and the natural light.
A view from the foyer into the living room, which features shelves of varying heights, shows the interplay of the bamboo-veneered plywood used throughout the house and the natural light.
Cohen and his wife, Sally, sit in the dining room, which along with the connected living room, is a focal point of the house, lighted in part by high, remote-controlled clerestory windows.
Cohen and his wife, Sally, sit in the dining room, which along with the connected living room, is a focal point of the house, lighted in part by high, remote-controlled clerestory windows.