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Collection by Travis Ward

Home Inspirations

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When current homeowner Joseph Amory purchased 3322 Ocotea Street in 2014, the 1959 residence’s midcentury plan had been corrupted. Undaunted, Amory enlisted In Situ Studio to modernize the 3,400-square-foot dwelling while preserving its midcentury roots.
When current homeowner Joseph Amory purchased 3322 Ocotea Street in 2014, the 1959 residence’s midcentury plan had been corrupted. Undaunted, Amory enlisted In Situ Studio to modernize the 3,400-square-foot dwelling while preserving its midcentury roots.
To revive the original architects’ vision, studioWTA restored a four-foot roof overhang above a wall of La Cantina sliders. The shade helps limit solar gain, while a pool by Evans + Lighter Landscape Architecture provides respite on sweltering summer days.
To revive the original architects’ vision, studioWTA restored a four-foot roof overhang above a wall of La Cantina sliders. The shade helps limit solar gain, while a pool by Evans + Lighter Landscape Architecture provides respite on sweltering summer days.
Built with a steel frame, the Frost House features panels of styrofoam between aluminum sheets for the exterior walls and styrofoam between plywood for the roof and floors. Bold, primary colors accentuate its geometric form. Shortly after Karen Valentine and Bob Coscarelli purchased the home in 2016, they began to unearth nuggets of information about its pedigree. Their realtor had provided a brochure that identified the prefab as designed by architect Emil Tessin for the now-defunct Alside Homes Corporation based out of Akron, Ohio, which had held a patent for the structure’s aluminum paneling. Their new neighbors provided a stack of Alside Homes sales materials, floor plans of various models, and even a script that had been written for salespeople during home tours. They determined that the Frost House had been a sales model for the company, and that Tessin had been the son of Emil Albert Tessin, the legal guardian of Florence Knoll.
Built with a steel frame, the Frost House features panels of styrofoam between aluminum sheets for the exterior walls and styrofoam between plywood for the roof and floors. Bold, primary colors accentuate its geometric form. Shortly after Karen Valentine and Bob Coscarelli purchased the home in 2016, they began to unearth nuggets of information about its pedigree. Their realtor had provided a brochure that identified the prefab as designed by architect Emil Tessin for the now-defunct Alside Homes Corporation based out of Akron, Ohio, which had held a patent for the structure’s aluminum paneling. Their new neighbors provided a stack of Alside Homes sales materials, floor plans of various models, and even a script that had been written for salespeople during home tours. They determined that the Frost House had been a sales model for the company, and that Tessin had been the son of Emil Albert Tessin, the legal guardian of Florence Knoll.
Once immortalized by master architectural photographer Julius Shulman and currently being considered as a historic landmark in Los Angeles County, this four-bedroom, two-bath residence was built in 1954 by builder and craftsman Ken McLeod to be his personal home. In 1964 architect Rufus Turner restored the rear after a fire damaged the living room.
Once immortalized by master architectural photographer Julius Shulman and currently being considered as a historic landmark in Los Angeles County, this four-bedroom, two-bath residence was built in 1954 by builder and craftsman Ken McLeod to be his personal home. In 1964 architect Rufus Turner restored the rear after a fire damaged the living room.
The 1,800-square-foot home features a cantilevered design and diagonal cladding similar to that of Breuer’s own 1947 Connecticut residence. Hufft replaced the roof but maintained its flat profile—though finding the correct two-inch metal flashing was a challenge. “These are the details that make the original what I consider a masterpiece,” Hufft says.
The 1,800-square-foot home features a cantilevered design and diagonal cladding similar to that of Breuer’s own 1947 Connecticut residence. Hufft replaced the roof but maintained its flat profile—though finding the correct two-inch metal flashing was a challenge. “These are the details that make the original what I consider a masterpiece,” Hufft says.
A series of long stairs leads to Maison Amtrak, which is set below street level. The entranceway demonstrates Cohen’s love of Japanese design with a geometric simplicity matched only by the formal elegance of the stained Douglas fir two-by-fours.
A series of long stairs leads to Maison Amtrak, which is set below street level. The entranceway demonstrates Cohen’s love of Japanese design with a geometric simplicity matched only by the formal elegance of the stained Douglas fir two-by-fours.
Mid-century designer Jens Risom's A-framed prefab family retreat, located on the northern portion of Block island, is bordered by a low stone wall, an aesthetic element that appears throughout the land.
Mid-century designer Jens Risom's A-framed prefab family retreat, located on the northern portion of Block island, is bordered by a low stone wall, an aesthetic element that appears throughout the land.