Collection by Brogan Laine Bradfield
HOME
The couple purchased the living room’s H.W. Klein chairs with the house. Another existing piece was the mezzanine’s daybed, designed by Peter Hvidt and Orlando Mølgaard Nielsen. An original floating staircase leads to the mezzanine and then up to the second floor. The open, straight-forward spaces speak to one of Christian’s guiding principles: “Simplicity is the key,” he says.
"A well-performing house extension facing south on a small inner-city block built in rammed earth is not easy to achieve," said Welsch. "However, in this challenge was our opportunity: We decided that our extension will curl around to capture the sun, creating a communal courtyard and allowing the occupants to look at their own house rather than a paling fence."
In the foreground are Float beanbag chairs and poufs from Paola Lenti. Mamagreen sofas nestle near the house on the sun-dappled deck. A 9.5-foot-tall shade cloth curtain seals off the entire length of the house when the couple is away, keeping the heat out of the interior and preventing accidental bird suicides against the floor-to-ceiling glass walls.
In Orange, California, a 1964 Model OC584 Eichler home designed by architect Claude Oakland was recently updated as a four-bedroom, two-bath home with an expanded master bathroom. The central outdoor atrium to the home is typical of the open-plan, indoor-outdoor style of living that Eichler homes are known form.
When Rob and Mary Lubera started pulling threads to uncover the origins of their new home—the lone midcentury house amid rows of Tudor Revivals in suburban Detroit—not even architecture scholars could have anticipated what they would find. Theirs is the last surviving residence by Alexander Girard (1907–1993), a modernist visionary who made his name in textiles but tried his hand at virtually everything, architecture included. The shoji-like laminate screens, seen in the entryway, are characteristic of his Japanese-influenced work.
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