SubscribeSign In
g
Collection by gregor mcavity

home

View 8 Photos
"The homeowner describing that he loved the mossy, fern understory brought the idea to my mind to be up in the trees," says architect Russ Tyson.
"The homeowner describing that he loved the mossy, fern understory brought the idea to my mind to be up in the trees," says architect Russ Tyson.
“We were researching places where we could get fake old beams, but at the last minute, the contractor found some from a barn that was coming down, - North Hatley, Quebec Dwell Magazine : July / August 2017
“We were researching places where we could get fake old beams, but at the last minute, the contractor found some from a barn that was coming down, - North Hatley, Quebec Dwell Magazine : July / August 2017
Along Victoria’s Surf Coast, a minimalist timber dwellingcombines Scandinavian charm with the laid-back vibes of a New Zealand bach.
Along Victoria’s Surf Coast, a minimalist timber dwellingcombines Scandinavian charm with the laid-back vibes of a New Zealand bach.
Vince and Adrienne Murphy’s rural retreat is clad in gray shingles and gray-stained pine. “They wanted the cottage to meld into the woods and be visually quiet,” says architect Kelly Doran, who worked with Portico Timber Frames to build the 2,500-square-foot home.
Vince and Adrienne Murphy’s rural retreat is clad in gray shingles and gray-stained pine. “They wanted the cottage to meld into the woods and be visually quiet,” says architect Kelly Doran, who worked with Portico Timber Frames to build the 2,500-square-foot home.
SemiSemi as it fits into its Toronto neighborhood.
SemiSemi as it fits into its Toronto neighborhood.
For this Long Island project, architect John Patrick Winberry rotated the back of the home ninety degrees, designing the main living spaces around an L-shaped corner. This allowed the building to follow the path of the sun and “interact with the interior,” as Winbury puts it, through an abundance of carefully placed Marvin windows.
For this Long Island project, architect John Patrick Winberry rotated the back of the home ninety degrees, designing the main living spaces around an L-shaped corner. This allowed the building to follow the path of the sun and “interact with the interior,” as Winbury puts it, through an abundance of carefully placed Marvin windows.