Collection by Lisa Gay

Historical

The 17th-century farmhouse is made entirely of natural stone.
The 17th-century farmhouse is made entirely of natural stone.
In celebration of the Eames House’s 70th anniversary, the Getty Conservation Institute and the Eames Foundation recently unveiled a conservation management plan for protecting the national historic landmark.
In celebration of the Eames House’s 70th anniversary, the Getty Conservation Institute and the Eames Foundation recently unveiled a conservation management plan for protecting the national historic landmark.
After much research, the original buff stone pictured was discovered at a quarry in Utah, which had since closed but reopened for the material sourcing for this project, the restoration of Richard Neutra's Kaufmann House. A mason worked there for a year and a half to accurately restore stone, chiseling and cutting blocks precisely in place to create a pleasing mosaic. Tops and bottoms of the stones were cut smooth to sit in horizontal position, allowing the sides and faces to be more organic as Richard Neutra intended.
After much research, the original buff stone pictured was discovered at a quarry in Utah, which had since closed but reopened for the material sourcing for this project, the restoration of Richard Neutra's Kaufmann House. A mason worked there for a year and a half to accurately restore stone, chiseling and cutting blocks precisely in place to create a pleasing mosaic. Tops and bottoms of the stones were cut smooth to sit in horizontal position, allowing the sides and faces to be more organic as Richard Neutra intended.
The original facade was transformed into a contemporary profile that pays homage to the home's humble roots.
The original facade was transformed into a contemporary profile that pays homage to the home's humble roots.
The home's courtyard originally featured a green lawn where guests could watch films and entertainers on a stage.
The home's courtyard originally featured a green lawn where guests could watch films and entertainers on a stage.
“It is a truly modern home and it still feels modern to me after living here all of these years,” says the homeowner. “My nieces used to like to play ‘Space Ship’ in the house—dramatically opening and closing the sliding metal doors as if they were starring in a science fiction film.”
“It is a truly modern home and it still feels modern to me after living here all of these years,” says the homeowner. “My nieces used to like to play ‘Space Ship’ in the house—dramatically opening and closing the sliding metal doors as if they were starring in a science fiction film.”
A striking example of Soviet-era brutalism, the Buzludha Monument commemorated the 90th anniversary of the founding of the Bulgarian socialist party.
A striking example of Soviet-era brutalism, the Buzludha Monument commemorated the 90th anniversary of the founding of the Bulgarian socialist party.
The Martello Tower Y is one of approximately a hundred Martello towers built in the early 19th century along the British coastline to defend against Napoleon's army.
The Martello Tower Y is one of approximately a hundred Martello towers built in the early 19th century along the British coastline to defend against Napoleon's army.
Also known as Still Bend, Schwartz House was designed as part of a LIFE Magazine competition in 1938, in which the publication commissioned eight architects to design a "dream house" for four typical American families. The design became reality when Bernard Schwartz commissioned the architect to build the home for his family in Two Rivers, Wisconsin. Modified for the site, the 1940 house boasts classic Wright touches like red tidewater cypress board, huge windows, and interiors in harmony with the natural surroundings.
Also known as Still Bend, Schwartz House was designed as part of a LIFE Magazine competition in 1938, in which the publication commissioned eight architects to design a "dream house" for four typical American families. The design became reality when Bernard Schwartz commissioned the architect to build the home for his family in Two Rivers, Wisconsin. Modified for the site, the 1940 house boasts classic Wright touches like red tidewater cypress board, huge windows, and interiors in harmony with the natural surroundings.
Now the welcoming Detective Building glows from within.
Now the welcoming Detective Building glows from within.
Following a painstaking, multimillion-dollar restoration, this masterpiece has been restored to its former glory and reopened to the public with newly expanded tour offerings. The Frederick C. Robie House, widely considered to be the epitome of Prairie style, was completed in 1910 as a private residence near the University of Chicago’s Hyde Park campus. Additionally, several pieces of original furniture, including the home’s dining table and chairs as well as the main floor‘s guest room furniture, are newly on display as part of a loan from the Smart Museum of Art at the University of Chicago.
Following a painstaking, multimillion-dollar restoration, this masterpiece has been restored to its former glory and reopened to the public with newly expanded tour offerings. The Frederick C. Robie House, widely considered to be the epitome of Prairie style, was completed in 1910 as a private residence near the University of Chicago’s Hyde Park campus. Additionally, several pieces of original furniture, including the home’s dining table and chairs as well as the main floor‘s guest room furniture, are newly on display as part of a loan from the Smart Museum of Art at the University of Chicago.
The idea for a new 1,722-square-foot house was born when the home's owner spoke to Ziyu Zhuang of RSAA: "Look at the tallest tree that survived in our village. It’s beautiful. It should be seen in this house after it's been rebuilt." And so the design of the home, named Tongling Recluse, evolved around preserving the tree and elements from the old ruins.
The idea for a new 1,722-square-foot house was born when the home's owner spoke to Ziyu Zhuang of RSAA: "Look at the tallest tree that survived in our village. It’s beautiful. It should be seen in this house after it's been rebuilt." And so the design of the home, named Tongling Recluse, evolved around preserving the tree and elements from the old ruins.
Le LAD intentionally designed the asymmetric windows on this gable wall to give the impression that they've been added over time.
Le LAD intentionally designed the asymmetric windows on this gable wall to give the impression that they've been added over time.
Commissioned as part of the popular Chinese reality television show Beautiful House, Beijing–based studio Evolution Design Architects was given a budget of 600,000 RMB (approximately $87,965 USD) for construction and interior design, as well as just two months to complete the transformation.
Commissioned as part of the popular Chinese reality television show Beautiful House, Beijing–based studio Evolution Design Architects was given a budget of 600,000 RMB (approximately $87,965 USD) for construction and interior design, as well as just two months to complete the transformation.
The most dramatic room in the main house is the dining room, which features a soaring, pitched ceiling and exposed stone walls.
The most dramatic room in the main house is the dining room, which features a soaring, pitched ceiling and exposed stone walls.
Built in 1937, Taliesin West was an experiment in desert living that evolved at the hands of Wright and his apprentices until he passed in 1959. Meant to be a refuge from the harsh winters of the Midwest, the complex—which grew to include a drafting studio, dining facilities, three theaters, a workshop, Wright’s office and private living quarters, and apprentice and staff residences—takes direct inspiration from the arid landscape. Over the years, Wright continually rethought previous design solutions and rebuilt sections of Taliesin West with the assistance of his apprentices. Today, the complex continues to be the headquarters of the Frank Lloyd Wright Foundation and School of Architecture.
Built in 1937, Taliesin West was an experiment in desert living that evolved at the hands of Wright and his apprentices until he passed in 1959. Meant to be a refuge from the harsh winters of the Midwest, the complex—which grew to include a drafting studio, dining facilities, three theaters, a workshop, Wright’s office and private living quarters, and apprentice and staff residences—takes direct inspiration from the arid landscape. Over the years, Wright continually rethought previous design solutions and rebuilt sections of Taliesin West with the assistance of his apprentices. Today, the complex continues to be the headquarters of the Frank Lloyd Wright Foundation and School of Architecture.

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