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Project posted by Luigi Rosselli Architects
Editor’s Pick

Harbour Front-Row Seat

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Location
Woollahra, New South Wales, Australia
Structure
House (Single Residence)
© Justin Alexander
© Justin Alexander
A copper rimmed hole was cut into the flat roof to bring light and air to a deep terrace. The landscaper delivered, by crane, three frangipani trees to soften the sea wall. Brass boat portholes are cut into the gate and the boathouse doors. © Justin Alexander
A copper rimmed hole was cut into the flat roof to bring light and air to a deep terrace. The landscaper delivered, by crane, three frangipani trees to soften the sea wall. Brass boat portholes are cut into the gate and the boathouse doors. © Justin Alexander
The bead blasted stainless steel balcony railings are a nautical reference to the naval architecture of the 1930s. the low iron glass behind it is to satisfy the Building Code of Australia. © Edward Birch
The bead blasted stainless steel balcony railings are a nautical reference to the naval architecture of the 1930s. the low iron glass behind it is to satisfy the Building Code of Australia. © Edward Birch
Sydney Harbour’s water continues in the white tiled swimming pool, a glass splash protection screen limits any pool water overflow onto the public beach. © Edward Birch
Sydney Harbour’s water continues in the white tiled swimming pool, a glass splash protection screen limits any pool water overflow onto the public beach. © Edward Birch
The gravelled entry drive splits to the garage on the right and the entry court on the left. The timber wall cladding conceals a garage door and the old brick façade of the house. © Justin Alexander
The gravelled entry drive splits to the garage on the right and the entry court on the left. The timber wall cladding conceals a garage door and the old brick façade of the house. © Justin Alexander
Once a barren parking area, the entry courtyard is now a densely landscaped garden with bottle trees and garden gnomes. © Justin Alexander
Once a barren parking area, the entry courtyard is now a densely landscaped garden with bottle trees and garden gnomes. © Justin Alexander
The wall cladding is composed of three sizes of western red cedar panels with a Porter’s grey timber stain, specially mixed for the project. www.porterspaints.com © Justin Alexander
The wall cladding is composed of three sizes of western red cedar panels with a Porter’s grey timber stain, specially mixed for the project. www.porterspaints.com © Justin Alexander
The entrance hall is bathed in light from the stairwell both day and night. © Edward Birch
The entrance hall is bathed in light from the stairwell both day and night. © Edward Birch
A timber handrail and masonry parapet follow the stair effortlessly, as if they had been formed with modelling clay. © Edward Birch
A timber handrail and masonry parapet follow the stair effortlessly, as if they had been formed with modelling clay. © Edward Birch
The seven metre tall Lindsey Adelman chandelier dominates the stairwell. Light projectors, concealed in the suspended ceiling, illuminate the artwork. www.lindseyadelman.com © Justin Alexander
The seven metre tall Lindsey Adelman chandelier dominates the stairwell. Light projectors, concealed in the suspended ceiling, illuminate the artwork. www.lindseyadelman.com © Justin Alexander
Four storeys high, the stair has a solid Blackbutt hardwood finish, with a moderate stain finish. © Justin Alexander
Four storeys high, the stair has a solid Blackbutt hardwood finish, with a moderate stain finish. © Justin Alexander
The vertical gallery of paintings terminates at the bottom of the stairs with a sculpture. © Justin Alexander
The vertical gallery of paintings terminates at the bottom of the stairs with a sculpture. © Justin Alexander
Nearly floating in Double Bay and Sydney Harbour, the living room is a collection of furniture classics, lighting icons and worldly artwork. © Justin Alexander
Nearly floating in Double Bay and Sydney Harbour, the living room is a collection of furniture classics, lighting icons and worldly artwork. © Justin Alexander
Brasilian ribbed glass in steel framed doors frame the jewellery inspired Herve van der Straeten lustre. www.vanderstraeten.fr © Justin Alexander
Brasilian ribbed glass in steel framed doors frame the jewellery inspired Herve van der Straeten lustre. www.vanderstraeten.fr © Justin Alexander
1930s Halabala [ www.designaddict.com/atlas/designers/Jindrich-Halabala/ ] reading chairs contemplate the densely packed library. © Justin Alexander
1930s Halabala [ www.designaddict.com/atl... ] reading chairs contemplate the densely packed library. © Justin Alexander
The horizontal gallery accessorised with painting suspension rails and flush ceiling light projectors. © Justin Alexander
The horizontal gallery accessorised with painting suspension rails and flush ceiling light projectors. © Justin Alexander
In the master bedroom, surrounded by a bronze finish brass mantelpiece, a discrete fireplace is a counterpoint to the frameless glass wall facing the Sydney Harbour. © Justin Alexander
In the master bedroom, surrounded by a bronze finish brass mantelpiece, a discrete fireplace is a counterpoint to the frameless glass wall facing the Sydney Harbour. © Justin Alexander
© Edward Birch
© Edward Birch
Bay windows have expanded the existing house sideways, providing side viewing lines to Double Bay and Sydney Harbour © Edward Birch
Bay windows have expanded the existing house sideways, providing side viewing lines to Double Bay and Sydney Harbour © Edward Birch

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Credits

Posted by
Architect
Interior Design
Alexandra Donohoe for Decus Interiors
Landscape Design
Dangar Group / William Dangar Associates
Photographer
Justin Alexander
Edward Birch

From Luigi Rosselli Architects

It is quite rare, in Woollahra Council’s municipality, to have a waterfront residence so close to the water. One gets the feeling of being in Sydney Harbour when looking out of the over-sized wafer-thin framed windows.

Luigi Rosselli Architects won a limited architectural competition to develop the site by proposing to revive the existing three storey house while the competitors opted for a clean slate solution. Adaptive reuse is the best way to keep a carbon footprint small and the strategy was rewarded in this waterfront property by maintaining the foreshore building line just a few steps from the water. A new house would have to be set further back.

Though built on the edge of beach this is not a beach house. The cultured art lovers and sophisticated art collectors who commissioned this project required a very urbane and elegant residence, with an environment ideal to display their collection. Expansive Wall spaces, nooks for sculptures and specialised art lighting were necessary.

The entry courtyard was originally a cramped driveway with three garages as main features, the solution was to relocate the garages and have a Will Dangar designed courtyard with sculptural plants and textural architectural details. The result restored a sense of dignified arrival where people, not cars, are welcome.

Design Architect: Luigi Rosselli
Project Architects: Jane McNeill, Hugh Campbell
Landscape Architect: William Dangar for Dangar Group / William Dangar Associates
Structural & Hydraulic Consultant: Charles Blunt for Rooney & Bye (Australia) Pty Ltd
Interior Designer: Alexandra Donohoe for Decus Interiors
Builder: Sydcon Building Services Pty Ltd
Joiner: Corelli Joinery
Photography: Justin Alexander, Edward Birch