Collection by Natalie Jerichau
Go Green
The Charles Forberg-designed LongHouse, Larsen’s estate in East Hampton, was inspired in equal parts by Japanese Shinto shrines and Larsen’s old New York City loft. A glass ceiling is embedded along the spine of the peaked roof, and allows for such remarkable rooms as the entryway-turned-greenhouse. Larsen says, “It’s remarkable that there aren’t more glass-ceilinged rooms. It didn’t cost more than a real ceiling, and it doesn’t lose or gain more heat, but if you can’t be outdoors, it’s very pleasant and the plants like it.” The beams and trusswork were made from Douglas fir in Minnesota.
No less than twelve of WOHA's designs—what the museum calls "vertical ecosystems"—will be on display at the exhibit. Multimedia displays, including architectural models, will showcase how these projects break the conventions of skyscraper design: unlike the Miesian tower, they are hardly hermetic and sealed from nature.
Seen here is the firm's PARKROYAL on Pickering, in Singapore. The nearly 300-foot-tall hotel and office building features these sculptural outdoor gardens.
Burks's Man Made collection and his Dala line of outdoor furniture for Dedon—featuring stools, chairs, and ottomans crafted by weavers in a Philippines factory—have brought him to a pivotal point in his career. "My relationship with Dwell has been about taking my Man Made project on the road," he says. Dedon produces 300 of Burks's pieces daily, by hand. "It's the ultimate expression of where I can see my own brand and my own studio going someday," he says.
Stephen Burks for Dedon, Dala planters in recycled polyethylene, 2012>













