Collection by Steve
Front Rooms
This Blue Dot Paramount 95” sofa is covered in Stanford Ceramic fabric with stainless steel legs. A larger chaise-style version of the sofa is opposite it, with a Feather Collection Drum Coffee Table from Anthropologie between them and an Eames Lounge Chair overlooked by a Restoration Hardware Arc floor lamp round out the space in this Pacific Heights home.
Architect Risa Boyer transformed this 1950s midcentury home, where the home owners were looking for home with a view and found this home that originally had flat ceilings throughout at just under 8 feet tall. The renovation opened up the living room, exposing the 180-degree views from the top of Mount Tabor in southeast Portland.
The 1952 dwelling that Greg Hoffman and his wife, Kirsten Brady, bought in Portland, Oregon, had many virtues. It had history (the first owner was an inventor who made stereoscopic devices), it had a strong architectural pedigree (it was designed by respected local architect Roscoe Hemenway), and above all, it had views. But, of course, it also had its flaws: the ceilings were low, the interior was chopped into a warren of rooms, and the windows weren’t exactly abundant. "We wanted open plans, more transparency, less tiny rooms," says Greg, the VP of global brand innovation at Nike. With the aid of Bohlin Cywinski Jackson—the 50-year-old architecture firm that is best known for the Fifth Avenue Apple store in New York City—the couple embarked on a project to enrich the landscaping, simplify the layout, and add a new top floor, all while amplifying the view with more glass. After a major renovation, the midcentury home with some of the best views in Portland, Oregon, took on a drastically new look.
In the interior of a 1950s Portland home, architect Risa Boyer's redesign retained the original post-and-beam construction, exposed wood ceilings, and extensive glass windows but updated the confined galley kitchen and dark, narrow front hallway. The result is a renovation that respected the home's original aesthetic and made it easier for the homeowners to entertain.
The Kelleys furnished the cottage with help from Suzanne’s daughter Betsy Burbank of Betsy Burbank Interiors. Classic modernist icons, such as a Saarinen Womb chair for Knoll, a Herman Miller Eames lounge chair, and an Eileen Grey E1027 side table look at home alongside present-day pieces such as an Encore sofa (which handily folds down into a sleeping surface) from Room & Board and a Doka rug designed and produced by Stephanie Odegard. The Wohlert pendant lights from Louis Poulsen were designed by Vilhelm Wohlert in 1959, but grouped as such, they appear distinctly contemporary.



















