Forest Retreats We Love

Anna Hoover, founder of the non-profit First Light Alaska, sought a "thought refuge, a room with a view to sit and contemplate future projects and reflect on recent travels and interactions, plenty of ‘headspace’—tall ceilings—and the ability to host other artists for studio time," she says. A longtime resident of the Pacific Northwest, Hoover was familiar with the work of Olson Kundig and contacted the Seattle-based firm to design her abode.

Set amongst the trees, with its simple form and earthy adherence to wood, the home fits in well. "Veronica and I walked the land for many months before we decided where to put the house," says Hirsh. "We had picnics there. We sat looking east. We sat looking west. We sat looking south. The site felt wonderful." Photo by Ron Johnson.

This 191-square-foot cabin near Vancouver and its glass facades "forces you to engage with the bigger landscape," architect Tom Kundig says, but it seals up tight when its owner is away. The unfinished steel cladding slides over the windows, turning it into a protected bunker. Read the full story here.

The bank of windows on the rear facade faces a lush hillside. "The prototypical country house wants to look over and out on the land," says Rappe. "This house looks at the slope upward. It makes for a different sense of space." Rappe was very careful to ensure that the house would not be visible from the existing properties and that neighboring houses would not be visible from within his design. "We wanted to do a home that was attractive to our clients but not too obtrusive to neighbors," he adds. "We wanted to be good modernists."

While it was tempting to embed the cabin into the hillside, Balance Associates sought a smarter solution. By elevating the project on two concrete walls, the clients could avoid a costly foundation, improve their view of the landscape, and stay above the thick winter snowfall.

The A-frame here looks both rustic and modern, especially with its orange shutters.