Collection by Kathleen A Metzger
The renovation introduced additional steel beams to reinforce the “sagging cantilevered roof.” The team also added insulation, rebuilt the chimney/parapet, and supplemented roof shingles with ones that were consistent with the originals.
The renovation introduced additional steel beams to reinforce the “sagging cantilevered roof.” The team also added insulation, rebuilt the chimney/parapet, and supplemented roof shingles with ones that were consistent with the originals.
The rear portion of the cedar shake roof is new with the 2012 addition.
The rear portion of the cedar shake roof is new with the 2012 addition.
The view of the house seen from the driveway. To the left is the workshop and wood shed connected to the carport by a trellis.
The view of the house seen from the driveway. To the left is the workshop and wood shed connected to the carport by a trellis.
Considered the largest of Frank Lloyd Wright’s experimental textile-block houses in Los Angeles, the Ennis House comprises over 27,000 concrete blocks stacked atop a concrete platform.
Considered the largest of Frank Lloyd Wright’s experimental textile-block houses in Los Angeles, the Ennis House comprises over 27,000 concrete blocks stacked atop a concrete platform.
The 1936 Herbert and Katherine Jacobs House in Madison, Wisconsin, marks the first Usonian-style home designed by Frank Lloyd Wright.
The 1936 Herbert and Katherine Jacobs House in Madison, Wisconsin, marks the first Usonian-style home designed by Frank Lloyd Wright.
For more than 70 years, claims have persisted, without much evidence, that a home in Portland, Oregon, is a lost work by Frank Lloyd Wright. Regardless of authorship, the structure—a flat-roofed, cedar and glass ranch—endures as a sterling example of postwar American  architecture. Its recessed entryway features panes of translucent glass.
For more than 70 years, claims have persisted, without much evidence, that a home in Portland, Oregon, is a lost work by Frank Lloyd Wright. Regardless of authorship, the structure—a flat-roofed, cedar and glass ranch—endures as a sterling example of postwar American architecture. Its recessed entryway features panes of translucent glass.
Also known as Still Bend, Schwartz House was designed as part of a LIFE Magazine competition in 1938, in which the publication commissioned eight architects to design a "dream house" for four typical American families. The design became reality when Bernard Schwartz commissioned the architect to build the home for his family in Two Rivers, Wisconsin. Modified for the site, the 1940 house boasts classic Wright touches like red tidewater cypress board, huge windows, and interiors in harmony with the natural surroundings.
Also known as Still Bend, Schwartz House was designed as part of a LIFE Magazine competition in 1938, in which the publication commissioned eight architects to design a "dream house" for four typical American families. The design became reality when Bernard Schwartz commissioned the architect to build the home for his family in Two Rivers, Wisconsin. Modified for the site, the 1940 house boasts classic Wright touches like red tidewater cypress board, huge windows, and interiors in harmony with the natural surroundings.
2206 Parklands Lane, Saint Louis Park, MN 55416
2206 Parklands Lane, Saint Louis Park, MN 55416
Similar to his Falling Waters masterpiece, Tirranna was built on water and next to a waterfall. In fact, the word itself comes from an Aboriginal word meaning “running waters.”
Similar to his Falling Waters masterpiece, Tirranna was built on water and next to a waterfall. In fact, the word itself comes from an Aboriginal word meaning “running waters.”
In an attempt to create a strong connection to nature, Wright incorporated outdoor sleeping porches on all five of the bays.
In an attempt to create a strong connection to nature, Wright incorporated outdoor sleeping porches on all five of the bays.