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Collection by Wright

FINISHES :: wood

You can't help but touch it

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Austin and Kotono Watanabe flew from vacation back to Minneapolis with the Noguchi lantern from Ozeki, a manufacturer in the Gifu Prefecture of Japan near Kotono’s hometown of Ibigawa, as a carry-on.
Austin and Kotono Watanabe flew from vacation back to Minneapolis with the Noguchi lantern from Ozeki, a manufacturer in the Gifu Prefecture of Japan near Kotono’s hometown of Ibigawa, as a carry-on.
Thick Alder trim pieces were used above windows and doors in select places to “cheat” the eye and avoid having an awkward strip of drywall above. “Putting the wood panel above the doors was a way to make the window and door systems feel like they went floor to ceiling,” says Hale, especially in places where the design/build team were constrained by structural beams that wouldn’t allow for a unit to be installed close to the ceiling line. Muuto ‘Ambit’ pendants hang over the dining room table.
Thick Alder trim pieces were used above windows and doors in select places to “cheat” the eye and avoid having an awkward strip of drywall above. “Putting the wood panel above the doors was a way to make the window and door systems feel like they went floor to ceiling,” says Hale, especially in places where the design/build team were constrained by structural beams that wouldn’t allow for a unit to be installed close to the ceiling line. Muuto ‘Ambit’ pendants hang over the dining room table.
The sofa in the family room was designed by Helgerson with Magnifique fabric by Kravet. The 265 Wall Lamp is by Paolo Rizzatto for Flos, and the pine coffee table is from The Good Mod, a local shop in Portland.
The sofa in the family room was designed by Helgerson with Magnifique fabric by Kravet. The 265 Wall Lamp is by Paolo Rizzatto for Flos, and the pine coffee table is from The Good Mod, a local shop in Portland.
“The original stairs were not lined up vertically, which took up much of the internal space,” Dubbeldam explains. The architect replaced them with black walnut wood risers that seem to float from the basement to the third floor, allowing light to spill into the house’s once-dark interior.
“The original stairs were not lined up vertically, which took up much of the internal space,” Dubbeldam explains. The architect replaced them with black walnut wood risers that seem to float from the basement to the third floor, allowing light to spill into the house’s once-dark interior.