Collection by Jeff
The cabin’s clean-lined, rustic-modern decor was inspired by her own Scandinavian heritage, and she gave much thought to finding balance between the traditional A-frame layout and her redesign.
The cabin’s clean-lined, rustic-modern decor was inspired by her own Scandinavian heritage, and she gave much thought to finding balance between the traditional A-frame layout and her redesign.
Working with a sumptuous material palette, Ehrlich Yanai Rhee Chaney Architects designed a sprawling new residence in Palo Alto for Mark and Laura Pine. The teak wood and handmade Danish bricks that define the exterior are used inside as well; distressed stainless steel panels by Chris French Metal sheathe one side of the upper volume. Blasen Landscape Architecture chose Peruvian feather grass to flank the entrance walkway.
Working with a sumptuous material palette, Ehrlich Yanai Rhee Chaney Architects designed a sprawling new residence in Palo Alto for Mark and Laura Pine. The teak wood and handmade Danish bricks that define the exterior are used inside as well; distressed stainless steel panels by Chris French Metal sheathe one side of the upper volume. Blasen Landscape Architecture chose Peruvian feather grass to flank the entrance walkway.
A thousand-year-old redwood stump abuts an Airstream suite.
A thousand-year-old redwood stump abuts an Airstream suite.
The view from Gabriel Ramirez’s property in Sea Ranch, California, where meadow grasses and cypress trees give way to craggy cliffs and the lapping Pacific Ocean. His house joins those that a cohort of forward-thinking architects built along this stretch of coast in the 1960s.
The view from Gabriel Ramirez’s property in Sea Ranch, California, where meadow grasses and cypress trees give way to craggy cliffs and the lapping Pacific Ocean. His house joins those that a cohort of forward-thinking architects built along this stretch of coast in the 1960s.
The living room is furnished with vintage items, including a leather-and-chrome chair by Suekichi Uchida and a stacking stool by Florence Knoll.
The living room is furnished with vintage items, including a leather-and-chrome chair by Suekichi Uchida and a stacking stool by Florence Knoll.
A new addition to Sea Ranch’s enclave of utopian homes, this structure (and the separate guesthouse seen here) clad in rough concrete and Cor-ten steel seamlessly blends in with its half-a-century-old California neighbors. Designed by the dean of the Woodbury School of Architecture and the head of the University of Oregon’s architecture department, its spaces flow into one another underneath an angled plywood ceiling and illuminate built-in furniture crafted from vertical-grain Douglas fir.
A new addition to Sea Ranch’s enclave of utopian homes, this structure (and the separate guesthouse seen here) clad in rough concrete and Cor-ten steel seamlessly blends in with its half-a-century-old California neighbors. Designed by the dean of the Woodbury School of Architecture and the head of the University of Oregon’s architecture department, its spaces flow into one another underneath an angled plywood ceiling and illuminate built-in furniture crafted from vertical-grain Douglas fir.
At Sea Ranch, a half-century-old enclave of rugged modernist houses on the Northern California coast, a new home captures the spirit of its surroundings. The client, a couple, were guided by the Sea Ranch rules—local covenants guide new designs—didn’t mean slipping into Sea Ranch clichés. Lovers of Cor-Ten steel, with its ruddy and almost organic surface, the architects made it the main exterior material, along with board-formed concrete and ipe wood. The Cor-Ten, which quickly turned an autumnal rust in the sea air, and the concrete, with its grain and crannies, mean the house isn’t a pristine box, Ramirez says. His Neutra house "was very crisp and clean," he says. "This house is more distressed, more wabi-sabi." Together, the Cor-Ten steel and board-form concrete give the exterior a weathered look.
At Sea Ranch, a half-century-old enclave of rugged modernist houses on the Northern California coast, a new home captures the spirit of its surroundings. The client, a couple, were guided by the Sea Ranch rules—local covenants guide new designs—didn’t mean slipping into Sea Ranch clichés. Lovers of Cor-Ten steel, with its ruddy and almost organic surface, the architects made it the main exterior material, along with board-formed concrete and ipe wood. The Cor-Ten, which quickly turned an autumnal rust in the sea air, and the concrete, with its grain and crannies, mean the house isn’t a pristine box, Ramirez says. His Neutra house "was very crisp and clean," he says. "This house is more distressed, more wabi-sabi." Together, the Cor-Ten steel and board-form concrete give the exterior a weathered look.
For Gabriel Ramirez and his partner Sarah Mason Williams, following the Sea Ranch rules—local covenants guide new designs—didn’t mean slipping into Sea Ranch clichés. The architects love Cor-Ten steel, with its ruddy and almost organic surface, and they made it the main exterior material, along with board-formed concrete and ipe wood. The Cor-Ten, which quickly turned an autumnal rust in the sea air, and the concrete, with its grain and crannies, mean the house isn’t a pristine box, Ramirez says. His Neutra house “was very crisp and clean,” he says. “This house is more distressed, more wabi-sabi.”
For Gabriel Ramirez and his partner Sarah Mason Williams, following the Sea Ranch rules—local covenants guide new designs—didn’t mean slipping into Sea Ranch clichés. The architects love Cor-Ten steel, with its ruddy and almost organic surface, and they made it the main exterior material, along with board-formed concrete and ipe wood. The Cor-Ten, which quickly turned an autumnal rust in the sea air, and the concrete, with its grain and crannies, mean the house isn’t a pristine box, Ramirez says. His Neutra house “was very crisp and clean,” he says. “This house is more distressed, more wabi-sabi.”