Collection by Daniel Eller
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For Gabriel Ramirez and his partner Sarah Mason Williams, following the Sea Ranch rules—local covenants guide new designs—didn’t mean slipping into Sea Ranch clichés. The architects love Cor-Ten steel, with its ruddy and almost organic surface, and they made it the main exterior material, along with board-formed concrete and ipe wood. The Cor-Ten, which quickly turned an autumnal rust in the sea air, and the concrete, with its grain and crannies, mean the house isn’t a pristine box, Ramirez says. His Neutra house “was very crisp and clean,” he says. “This house is more distressed, more wabi-sabi.”
Building with Cor-Ten steel—weathering steel's nom de plume—is a bit like watching a painting slowly come to life over time. Exposure to the elements adds textured hues of red and orange to the material until it steps into a character completely its own. From the Dwell archive, we bring you nine Cor-Ten steel homes with facades that will continue to shift through shades of ochre, amber, rust, and sienna.
When OSSO Architecture first began renovating this loft in a Brooklyn paper factory, it hadn’t been touched since the 1980s. Owner Malik Ashiru says the project achieved his goal of “a big, open space where people could come in and not feel cramped.” The formerly constrained spaces in the 1,400-square-foot, two-story apartment have been reconfigured into an open-plan living space with an office on the first floor and a loft guest bedroom above. On the second floor, the primary bedroom and bath open up to a rooftop terrace. Level changes delineate different spaces in the open-plan first floor, which is stylishly furnished with Ashiru’s midcentury furniture and artwork collected from his travels around the world.
The redesign of the staircase is a contemporary touch which could have just as easily existed in the home's original state. The wood slat screen blends with the wooden staircase and the wood ceiling opening the space and making it feel bigger—a huge improvement over the sheetrock wall that had been previously there.
“I’ve always been crazy about tile,” says Jessy, which is why she was heartbroken when she found the 1961 powder blue tile in the master bathroom had been scribbled on with permanent marker. “Turn right for cold water. Turn left for hot,” the wall read. The new tile is by Ann Sacks. “We tried to source products that looked appropriate for the period,” Jessy explains.
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