Collection by Maria Chimishkyan
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The open-plan, double-height kitchen/living/dining area makes the most of the house's 1,700 square feet. The cabinetry is finished in polyurethane, the hardware is by Lockwood and Madinoz, the countertops are Caesarstone, the oven and cooktop are by Ilve, and the integrated refrigerator is by Fisher & Paykel. The pendant lamps are Richard Neutra by Kartell, the cushions are Marimekko, the dining chairs are by Herman Miller, and the "coffee table" is a trio of Alvar Aalto's Stool 60 by Artek.
In the flat’s living room, midcentury modern art and furniture harmonize with the rich floor tiles, opulent molded ceilings. and original pine wood doors. Prints by Gordon Matta-Clark line the wall near a 1950s Danish dining table that’s paired with Eames chairs. A painting by Kuuti Lavonen hangs above a pink chair and ottoman by Ronan and Erwan Bouroullec.
In the living room, spare Scandinavian design takes center stage. Hans Wegner’s Wishbone chairs surround an Essay dining table by Cecilie Manz for Fritz Hansen; a mostly wood palette is enhanced by slate-gray brick around the fireplace. The paper lanterns throughout the home are a mixture of classics by Isamu Noguchi alongside those picked up in Japan and France.
The Kelleys furnished the cottage with help from Suzanne’s daughter Betsy Burbank of Betsy Burbank Interiors. Classic modernist icons, such as a Saarinen Womb chair for Knoll, a Herman Miller Eames lounge chair, and an Eileen Grey E1027 side table look at home alongside present-day pieces such as an Encore sofa (which handily folds down into a sleeping surface) from Room & Board and a Doka rug designed and produced by Stephanie Odegard. The Wohlert pendant lights from Louis Poulsen were designed by Vilhelm Wohlert in 1959, but grouped as such, they appear distinctly contemporary.
Husband-and-wife founders of Calico Wallpaper Rachel and Nick Cope show how easy it can be to put a personal, design-led touch on loft living—even when it’s a rental. When the Copes rented a Red Hook loft in an industrial 1860s warehouse, the couple turned their rental into a testing ground for their marbleized wallpaper business and installed wallpaper in each of their rooms. The custom pieces take inspiration from the loft’s immediate surroundings and characteristics—from the silver-and-gold marbled mural that complements the loft’s exposed structural beams to a color-gradient wallpaper in the primary bedroom that takes cues from the sunset seen from Red Hook.
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