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The old wood floors throughout the open-plan space are painted a dark eggplant. The vintage PP19 armchair is by Hans J. Wegner for PP Møbler. The painting above it is by Ruben Toledo, a friend of Peter Fehrentz, the resident. A trio of Tom Dixon lights hangs over the Pirkka dining table, with bench seating by Ilmari Tapiovaara for Artek. The Berber rug is from Morocco, purchased from the Paris shop Caravane.
The old wood floors throughout the open-plan space are painted a dark eggplant. The vintage PP19 armchair is by Hans J. Wegner for PP Møbler. The painting above it is by Ruben Toledo, a friend of Peter Fehrentz, the resident. A trio of Tom Dixon lights hangs over the Pirkka dining table, with bench seating by Ilmari Tapiovaara for Artek. The Berber rug is from Morocco, purchased from the Paris shop Caravane.
When planning regulations limited what could be built in an English forest, PAD Studio devised a prefab structure that can be moved by crane. “The whole building is based around a steel frame, which provides us with the stability to be able to top-lift it easily,” explains designer Ricky Evans.
When planning regulations limited what could be built in an English forest, PAD Studio devised a prefab structure that can be moved by crane. “The whole building is based around a steel frame, which provides us with the stability to be able to top-lift it easily,” explains designer Ricky Evans.
Consisting of two barnlike volumes set atop a stone foundation, the Depot House offers a locally rooted vision of New England modernism.
Consisting of two barnlike volumes set atop a stone foundation, the Depot House offers a locally rooted vision of New England modernism.