Collection by Melissa Hanley
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The floor-to-ceiling sliding doors and windows were the most expensive line item in the renovation. “The house would simply not be the same without them,” says architect Miguel Rivera. “When you are in the living area with the doors open, it creates one large indoor/outdoor space that is simply stunning.” Just beyond the kitchen, a bookcase in the hallway is painted to appear red from one side and gray from the other.
Villa Engels, the home of the esteemed Belgian modernist Lucien Engels (1928–2016), was falling apart when its second owners bought it in 2013. Yet due to its heritage status, any changes they planned would have to be approved by the provincial preservation office. Engels completed the elongated, cantilevered residence in 1958, the same year he finalized the master plan for Expo ’58, the Brussels World’s Fair that famously featured the Atomium.
There is a chair at the center of the exhibit with an unknown provenance that’s rigged with a water color paint setup. I take a seat, and an attendant pulls a tray out over my lap. I take a paint brush, and think of something that feels like it does make sense, even if none of Lynch’s exhibit does. Thinking of the path Olga and I charted today, I bring things to an end by painting concentric circles. See you back at the fair next year.
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