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“I like the darkness of walnut. Other woods tend to yellow if you don’t stain it, while walnut stays true to itself,” Caleb says. The white glass tile backsplash melds with the wall.

The insides of the carcass are as beautiful as the exposed faces. “You can’t capture a piece of solid wood in a frame or it will expand, contract, and crack, so we re-assembled our leftover walnut strips to infill the framework,” Stuart says.

“Using only wood to form a cabinet results in artistic moments. Diagonals read as decorative, but these strong triangles are necessary when you’re not using plywood,” Caleb says. “It’s pure joy to use the kitchen, knowing that all parts of it are built with meaning and without compromise.

The home’s modest size meant Caleb did not have to worry too much about material and labor costs. For example, all the interior walls are done in plaster, which is three-to-four times more expensive than drywall in Maine.

Shannon Richards, Caleb’s partner, often uses her laptop at the 13-foot long banquette, which needed to be finessed a bit because the initial version looked too bulky. The team laid the maple floorboards at an angle and used a white-tinged stain that will preserve their natural appearance.

The multi-level property appears as a modern, mini skyscraper nestled in a remote forest.

A large, east-facing window in the kitchen captures morning light. The kitchen is outfitted with Caesarstone Pebble countertops, a Heath Ceramics Lichen backsplash, and Smith & Vallee Woodworks cabinetry.