Collection by Brandon Anderson

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Intended for a much bigger room in the family’s previous home, the bed was designed by Hill and is covered in Maharam fabric in a doily print called Intricate 001 Charcoal. The side tables 

are from West Elm, and the AJ table lamp is by Arne Jacobsen for Louis Poulsen.
Intended for a much bigger room in the family’s previous home, the bed was designed by Hill and is covered in Maharam fabric in a doily print called Intricate 001 Charcoal. The side tables are from West Elm, and the AJ table lamp is by Arne Jacobsen for Louis Poulsen.
Houston-based designer Barbara Hill is known for a stripped-down aesthetic that blends art-world cachet with Texas modernism. Vitra’s Slow chair sits in front of a powder-coated-steel bookcase made by Hill’s go-to fabricator, George Sacaris; it was originally built for the Houston house.
Houston-based designer Barbara Hill is known for a stripped-down aesthetic that blends art-world cachet with Texas modernism. Vitra’s Slow chair sits in front of a powder-coated-steel bookcase made by Hill’s go-to fabricator, George Sacaris; it was originally built for the Houston house.
The family’s 1920s Mediterranean-style manse is an eclectic example of the architecture found in Atlanta’s elegant Buckhead neighborhood.
The family’s 1920s Mediterranean-style manse is an eclectic example of the architecture found in Atlanta’s elegant Buckhead neighborhood.
The home’s informal dining space has a slightly rustic feel, sporting bronze  and wood in the form of  a Lindsey Adams Adelman chandelier for Roll & Hill and a table 

by Terry Dwan, mixed with folk-art touches like the Eames House Birds and a cuckoo clock from Diamantini & Domeniconi. The PK8 

chairs from Republic of 

Fritz Hansen were designed by Poul Kjærlholm and 

sourced from Kuhl-Linscomb 

in Houston, Texas.
The home’s informal dining space has a slightly rustic feel, sporting bronze and wood in the form of a Lindsey Adams Adelman chandelier for Roll & Hill and a table by Terry Dwan, mixed with folk-art touches like the Eames House Birds and a cuckoo clock from Diamantini & Domeniconi. The PK8 chairs from Republic of Fritz Hansen were designed by Poul Kjærlholm and sourced from Kuhl-Linscomb in Houston, Texas.
Two pieces from E15’s Shiraz sofa flank 

the company’s wooden Leila side tables. 

Hill chose to use flat paint in Benjamin Moore’s Decorators White throughout the home 

because it emphasizes the chalkiness of the plaster walls, making them “look almost like slate.” The sconce shown in the foreground—David Chipperfield’s Corrubedo design for 

FontanaArte—gives off a soft glow and 

replaces the dozens of paper-lampshade 

wall fixtures the owners found in the house when they bought it. Stewart Cohen’s 

zany photograph of a gun-toting Marfa 

resident encapsulates Barbara Hill’s offbeat brand of decorating: bright and minimal, 

yet darkly humorous.
Two pieces from E15’s Shiraz sofa flank the company’s wooden Leila side tables. Hill chose to use flat paint in Benjamin Moore’s Decorators White throughout the home because it emphasizes the chalkiness of the plaster walls, making them “look almost like slate.” The sconce shown in the foreground—David Chipperfield’s Corrubedo design for FontanaArte—gives off a soft glow and replaces the dozens of paper-lampshade wall fixtures the owners found in the house when they bought it. Stewart Cohen’s zany photograph of a gun-toting Marfa resident encapsulates Barbara Hill’s offbeat brand of decorating: bright and minimal, yet darkly humorous.