Collection by Brandon Anderson
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The home’s informal dining space has a slightly rustic feel, sporting bronze and wood in the form of a Lindsey Adams Adelman chandelier for Roll & Hill and a table
by Terry Dwan, mixed with folk-art touches like the Eames House Birds and a cuckoo clock from Diamantini & Domeniconi. The PK8
chairs from Republic of
Fritz Hansen were designed by Poul Kjærlholm and
sourced from Kuhl-Linscomb
in Houston, Texas.
Two pieces from E15’s Shiraz sofa flank
the company’s wooden Leila side tables.
Hill chose to use flat paint in Benjamin Moore’s Decorators White throughout the home
because it emphasizes the chalkiness of the plaster walls, making them “look almost like slate.” The sconce shown in the foreground—David Chipperfield’s Corrubedo design for
FontanaArte—gives off a soft glow and
replaces the dozens of paper-lampshade
wall fixtures the owners found in the house when they bought it. Stewart Cohen’s
zany photograph of a gun-toting Marfa
resident encapsulates Barbara Hill’s offbeat brand of decorating: bright and minimal,
yet darkly humorous.





