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Adair and Kopp carefully studied each window opening in model form, testing the light quality and making adjustments as needed. At the rear façade, customized Marvin Special Shapes gave them the freedom to create the stunning showcase of symmetric gabled glass. The pair forewent a slick curtain wall in favor of multiple glass panes with visible mullions, to add coziness and maintain the scale and feel of a cottage.
For this Long Island project, architect John Patrick Winberry rotated the back of the home ninety degrees, designing the main living spaces around an L-shaped corner. This allowed the building to follow the path of the sun and “interact with the interior,” as Winbury puts it, through an abundance of carefully placed Marvin windows.
To most eyes, Ezequiel Farca’s 1970s-style concrete home in Mexico City looked like a teardown. Even the lot itself—shallow and crammed against a steep hillside—wasn’t particularly alluring. But Farca saw through all the restraints to create a spa-like refuge in one of the world’s most energetic cities. "It’s is such a hectic place. You’re bombarded by so much information the moment you step into the streets," says Farca, who first gained prominence as a furniture and interior designer. "So we envisioned this house as a retreat, a kind of a temple." The rooftop courtyard is lined with a verdant mix of indigenous plants, including banana trees, palm trees, lion’s claw, Mexican breadfruit, and native vines. The chaise longues were designed for Farca’s EF Collection.