Collection by Ines Alphonso Salas
This project in Eureka Valley by Surfacedesign had a limited footprint. The homeowner wanted to create an inviting backyard space for entertaining that was manageable to maintain yet safe and playful for their young children.
This project in Eureka Valley by Surfacedesign had a limited footprint. The homeowner wanted to create an inviting backyard space for entertaining that was manageable to maintain yet safe and playful for their young children.
The addition, which has cypress paneling and a metal roof, is united with the renovated 1920s bungalow via a glass pavilion.
The addition, which has cypress paneling and a metal roof, is united with the renovated 1920s bungalow via a glass pavilion.
Natural light fills the home, which Watson and Tschopp decorated with a mix of modern classics, thrift-store finds, and more contemporary design pieces like the Cappellini couch.
Natural light fills the home, which Watson and Tschopp decorated with a mix of modern classics, thrift-store finds, and more contemporary design pieces like the Cappellini couch.
Watson, who works from home when he’s not traveling, likes to use the back patio as his office during warmer months. In choosing patio furniture, he decided on a reversal of the interior color palette: A rectangular white metal table and chairs by Richard Schultz are durable but refined while contrasting with the cedar deck.
Watson, who works from home when he’s not traveling, likes to use the back patio as his office during warmer months. In choosing patio furniture, he decided on a reversal of the interior color palette: A rectangular white metal table and chairs by Richard Schultz are durable but refined while contrasting with the cedar deck.
A design dream team connects a 1980s dwelling to its spectacular site in Paradise Valley, Arizona
A design dream team connects a 1980s dwelling to its spectacular site in Paradise Valley, Arizona
See?
See?
At left, the Chihuly exhibit at the Seattle Art Museum in 1992; at right, the Chihuly seen on set.
At left, the Chihuly exhibit at the Seattle Art Museum in 1992; at right, the Chihuly seen on set.
At left, the before: a faux pre-Colombian sculpture, affectionately nicknamed “Froggy” by the production team, a humorous nod to Frasier’s assumed worldliness. At right, the after: with Dale Chihuly’s <i>Macchia</i>.
Macchia
At left, Émile-Jacques Ruhlmann (1879-1933) <a href="https://www.1stdibs.com/furniture/tables/tables/ruhlmann-cabanel-basse-boule-indian-rosewood-table/id-f_47250022/">Cabanel Basse-Boule Indian Rosewood Table</a>; at right, the replica table seen on set.
At left, Émile-Jacques Ruhlmann (1879-1933) <a href="www.1stdibs.com/fur... Basse-Boule Indian Rosewood Table</a>; at right, the replica table seen on set.
The Nick Berman Floating Ball table sold for $32,500 at auction last year.
The Nick Berman Floating Ball table sold for $32,500 at auction last year.
The apartment set with Martin’s recliner. In later interviews, Roy Christopher referred to the chair as “disreputable.”
The apartment set with Martin’s recliner. In later interviews, Roy Christopher referred to the chair as “disreputable.”
<span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">Moose sits on a Marcel Breuer Wassily chair, originally designed in 1925, in this promotional still. The set also featured a Charles and Ray Eames 670/671 lounge chair and ottoman, originally designed in 1956.</span>
Moose sits on a Marcel Breuer Wassily chair, originally designed in 1925, in this promotional still. The set also featured a Charles and Ray Eames 670/671 lounge chair and ottoman, originally designed in 1956.
Walls of floor-to-ceiling glass frame garden views from nearly every room.
Walls of floor-to-ceiling glass frame garden views from nearly every room.

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