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Molly and Jake watch TV with the balcony door ajar.

The concrete aggregate floor runs from the interior out to the patio. The patio chairs are by Chioco Design, and the Ratio cocktail table is by local furniture brand Seer Studio.

The home takes the form of two volumes that slide past each other. The front door leads directly to the center of the home, which connects to the both the entrance courtyard and the rear pool area, dissolving the boundaries between interior and exterior space.

The bentwood mirrors and brass fixtures in the master bathroom fit in with the subtle midcentury design language throughout the home. A large window fills the space with natural light, which bounces off the white Carrara marble vanity top and herringbone tiles on the wall.

The master bedroom is a calm space with hints of midcentury design inspiration, such as the vintage timber credenza.

The island bar in the kitchen features white Arcilla Field tiles by Ann Sacks that match the turquoise tiles used in the guest bathroom. The lights above the bench are classic VL45 Radiohus pendants, which were originally designed in the 1940s by Danish architect Vilhelm Lauritzen for Louis Poulsen for the construction of the Radiohuset building in Copenhagen.

The majority of the house is clad in earth-tone modular brick. The brick was chosen for its durability, low maintenance, and the texture and pattern it lends to the elevations.

The den offers a second living area and features a sofa from Cassina and a classic Womb chair by Eero Saarinen for Knoll. The artwork is by local photographer Ashley Garmon.

The living room has a glazed corner and a window that looks into the entrance courtyard. The Shaya table lamps are by Canadian brand Neuvo.

The house is largely furnished with pieces already owned by the couple, including the Eames Wire Chair DKR with Eiffel base used around the dining table. “The furniture all works together to create an eclectic mix,” says designer Jamie Chioco.

The front and back doors are only 12 feet apart from one another, separated by the living space at the heart of the home. The open floor plan allows the living space, den, dining room, and kitchen to flow into each other, while the way the volumes are positioned makes each space feel distinct—this works well for entertaining both large and small groups.

The pool and covered patio sit on the corner opposite of the entrance courtyard. The patio can be accessed through sliding glass doors from both the dining room and kitchen, and the master bedroom. Having lived on the site for so long, designer Jamie Chioco was able to quickly make informed decisions about the design—for example, one of the neighbors uses his backyard for large family gatherings and barbecues, and so it was decided early on to not to have many openings on that facade in order to give both homes privacy.

The entrance is through an enclosed courtyard, which features ipe (Brazilian walnut) timber fencing with an exposed painted steel structure topped with planters. The living room is visible through a glazed corner.

The simple composition of the new house is inspired by midcentury modern homes. Instead of demolishing the old house, the couple decided move it to a new location a few miles away. “After all, there was no reason to put twenty odd tons in a landfill, especially since it had good structural integrity,” says designer Jamie Chioco. “It could make a good first-time home for someone just as it did for me”

Custom steel corner windows allow the interior to expand into the exterior spaces, making the modest home feel much larger than it actually is.

“I love the house more each day,” says Tamami Sylvester of her and husband Michael's home by Sebastian Mariscal in Venice, California. The kitchen, which includes all Miele appliances, is sheathed in custom woodwork from Semihandmade. Accessories from A+R complement the Caesarstone countertops and Franke faucet. A LifeSource Water System provides filtration. Photo by Coral von Zumwalt.

The bathroom includes a walk-in tub.

“I’ve always been crazy about tile,” says Jessy, which is why she was heartbroken when she found the 1961 powder blue tile in the master bathroom had been scribbled on with permanent marker. “Turn right for cold water. Turn left for hot,” the wall read. The new tile is by Ann Sacks. “We tried to source products that looked appropriate for the period,” Jessy explains.