Collection by Narin Cundy-Hengrung
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The multidisciplinary team at State of Kin, a Perth-based design studio, wanted to create a uniquely Australian home, one that incorporated a variety of both multicultural and local sources. The idea of such a mix, says director Ari Salomone, "is quite true to the Australian vernacular." <span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Oxygen-Sans, Ubuntu, Cantarell, "Helvetica Neue", sans-serif;">When choosing what shades would go into the home's color palette, the design team drew heavily on the Western Australian landscape. "We looked to the Pindan red dirt of the Northwest, the luminous white beaches, the dusty eucalyptus greens,
Thomas loves crazy powder rooms, but leans towards softer tones for master bathrooms. Here, she adds a bit of glam with chrome Atrio fixtures by Grohe and antique brass Hinsdale sconces by Hudson Valley Lighting. “I am so happy with how this midcentury-inspired pattern using Fireclay Tile in Daisy and Sea Glass turned out. It’s dramatic, but still soothing and soft. The sconces reminded me of modernist versions of soap bubbles, and I loved them for a bathroom environment.”
In the dining room, Tang installed a built-in reading bench under the windows. It’s upholstered in ikat fabric and anchored by bookshelves at one end. The vintage Danish cabinet belongs to the owners, while the brilliant, deep orange pendant was sourced by Tang’s team. It’s a 1960s Equator pendant by Jo Hammerborg for Fog and Morup.
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