Collection by Manju Diane O'Rourke
“The materiality is very considered,” says Simon. “We used brick, flint, timber, and the cladding is all Sycamore timber like the surrounding forest. It feels like everything relates back to the landscape.”
“The materiality is very considered,” says Simon. “We used brick, flint, timber, and the cladding is all Sycamore timber like the surrounding forest. It feels like everything relates back to the landscape.”
“It’s all about raising the stakes for affordable homes. A little beauty can go a long way,” says Lehrer.
“It’s all about raising the stakes for affordable homes. A little beauty can go a long way,” says Lehrer.
Walter De Maria's 2004 Time/Timeless/No Time sits within a grand subterranean hall, its gleaming surface reflective the sunlight from above. When the sun sets, the space becomes far darker and the sculptures more mysterious. 

Photo Courtesy 準建築人手札網站 Forgemind ArchiMedia via flikr.
Walter De Maria's 2004 Time/Timeless/No Time sits within a grand subterranean hall, its gleaming surface reflective the sunlight from above. When the sun sets, the space becomes far darker and the sculptures more mysterious. Photo Courtesy 準建築人手札網站 Forgemind ArchiMedia via flikr.
Completed in 2004, the Chichu Art Musuem (which translates literally as "art museum in the earth") aims to reimagine our relationship to nature. Its artworks, all from the three iconic artists Claude Mone, James Turrell, and Walter De Maria, are literally seen in different lights depending on the time of day and season.

Photo Courtesy 準建築人手札網站 Forgemind ArchiMedia via flikr.
Completed in 2004, the Chichu Art Musuem (which translates literally as "art museum in the earth") aims to reimagine our relationship to nature. Its artworks, all from the three iconic artists Claude Mone, James Turrell, and Walter De Maria, are literally seen in different lights depending on the time of day and season. Photo Courtesy 準建築人手札網站 Forgemind ArchiMedia via flikr.
"We did our best to tuck the buildings into the site—the goal was to get up high on a perch. It was a matter of setting that elevation and working back down with the topography," says architectural designer Riley Pratt.
"We did our best to tuck the buildings into the site—the goal was to get up high on a perch. It was a matter of setting that elevation and working back down with the topography," says architectural designer Riley Pratt.
The Portuguese firm Madeiguincho designed a trio of tiny homes for a regenerative agriculture farm in Alqueva in southeast Portugal.
The Portuguese firm Madeiguincho designed a trio of tiny homes for a regenerative agriculture farm in Alqueva in southeast Portugal.
Built by Fritz Tiny Homes and delivered by crane, the compact ADU brings new potential to a compact Silver Lake lot.
Built by Fritz Tiny Homes and delivered by crane, the compact ADU brings new potential to a compact Silver Lake lot.
The interior is mostly painted white with vibrant pops of color adding a distinctive Bauhaus touch. In the kitchen, this is expressed through the mustard yellow cabinetry. "I really love Bauhaus and Mid-Century tones,
The interior is mostly painted white with vibrant pops of color adding a distinctive Bauhaus touch. In the kitchen, this is expressed through the mustard yellow cabinetry. "I really love Bauhaus and Mid-Century tones,
Original beams lining the ceilings of the living areas elongates the overall sense of space.
Original beams lining the ceilings of the living areas elongates the overall sense of space.
The same finishes were used in the upstairs guest suite for consistency throughout.
The same finishes were used in the upstairs guest suite for consistency throughout.
The kitchen and dining room connect to the living room via two open doorways.
The kitchen and dining room connect to the living room via two open doorways.
Catherine's Italian chandelier hangs in the front hall. The floors are marble from Mexico. "We wanted [the floors] to feel a little more natural,
Catherine's Italian chandelier hangs in the front hall. The floors are marble from Mexico. "We wanted [the floors] to feel a little more natural,

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