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Collection by Michelle Beddor

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“We wanted something cozy with nooks, where you can be aware of what’s going on elsewhere,” says Isabel of the floor-to-ceiling shelving units. “They separate the environment, and cut the light a bit, but you can still see what’s happening in other spaces,” adds Matías.
“We wanted something cozy with nooks, where you can be aware of what’s going on elsewhere,” says Isabel of the floor-to-ceiling shelving units. “They separate the environment, and cut the light a bit, but you can still see what’s happening in other spaces,” adds Matías.
The custom banquette has a slatted back so as to allow the window behind it to open and let in light. The table is a vintage piece from John and Kelly, made with reclaimed wood from a bowling alley. The overhead pendant is by Brendan Ravenhill.
The custom banquette has a slatted back so as to allow the window behind it to open and let in light. The table is a vintage piece from John and Kelly, made with reclaimed wood from a bowling alley. The overhead pendant is by Brendan Ravenhill.
The kitchen cabinets have also been cleverly designed by 4 S Architecture to combine a luxury appearance with cost-effective construction. The carcasses were sourced from DIY Kitchens and delivered preassembled, which cut down on labor costs. While the white cabinet doors are also from DIY Kitchens, the cherry veneered doors are bespoke. “We worked with as many off-the-shelf products as we could to minimise cost and added a few bespoke items to elevate the scheme,” explains architect Julia Hamson.
The kitchen cabinets have also been cleverly designed by 4 S Architecture to combine a luxury appearance with cost-effective construction. The carcasses were sourced from DIY Kitchens and delivered preassembled, which cut down on labor costs. While the white cabinet doors are also from DIY Kitchens, the cherry veneered doors are bespoke. “We worked with as many off-the-shelf products as we could to minimise cost and added a few bespoke items to elevate the scheme,” explains architect Julia Hamson.
The clients have a large collection of indoor plants, and 4 S Architecture designed a scheme with plenty of spots to display plants, from the deep windowsills to the semi-recessed extractor above the island that features an integrated shelf. “We had originally specified a fully flush extractor system, but they are very expensive,” says architect, Julia Hamson. “We went for one that is semi-recessed, so was cost effective but still has less visual impact than a dropped extractor.”
The clients have a large collection of indoor plants, and 4 S Architecture designed a scheme with plenty of spots to display plants, from the deep windowsills to the semi-recessed extractor above the island that features an integrated shelf. “We had originally specified a fully flush extractor system, but they are very expensive,” says architect, Julia Hamson. “We went for one that is semi-recessed, so was cost effective but still has less visual impact than a dropped extractor.”
“Having nice design is great, but how can you support the ways you want to live?” says Adair. She and Kopp did the same discovery process as their clients to help push them into purpose. “It was so helpful in figuring out how to shape the moments we wanted.”
“Having nice design is great, but how can you support the ways you want to live?” says Adair. She and Kopp did the same discovery process as their clients to help push them into purpose. “It was so helpful in figuring out how to shape the moments we wanted.”
Engelsman gave the kitchen an L-shaped layout with a large island workspace at the center, and pushed the tall storage into the garage, to create a wide circulation space to access the dining room and backyard.
Engelsman gave the kitchen an L-shaped layout with a large island workspace at the center, and pushed the tall storage into the garage, to create a wide circulation space to access the dining room and backyard.
A skylight was added to bring in more light, and the existing ceilings painted Benjamin Moore ‘Black Tar’ for contrast. The island pendant is the Schoolhouse Ray 17” Pendant and the stools are the Artek Aalto High Chair K65.
A skylight was added to bring in more light, and the existing ceilings painted Benjamin Moore ‘Black Tar’ for contrast. The island pendant is the Schoolhouse Ray 17” Pendant and the stools are the Artek Aalto High Chair K65.
After finding paradise on a Hawaiian papaya farm, filmmaker Jess Bianchi and jewelry designer Malia Grace Mau tapped San Francisco artist Jay Nelson to design and build their dream home in just five weeks. Located just one block from the beach, the home takes inspiration from laid-back surf shacks and is mainly built with reclaimed wood.
After finding paradise on a Hawaiian papaya farm, filmmaker Jess Bianchi and jewelry designer Malia Grace Mau tapped San Francisco artist Jay Nelson to design and build their dream home in just five weeks. Located just one block from the beach, the home takes inspiration from laid-back surf shacks and is mainly built with reclaimed wood.