Collection by Anise Susan DeBeaugrine
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Reilly, pictured here, deleted the original front door in order to create an expanse of uninterrupted wall in the living room. The existing slider is now the main entry point. She clad the exterior with planks marketed as a shou sugi ban product that reads as burned, knotty cedar. A new, corrugated metal roof replaced asphalt shingles.
Tasked by John Powers and Jennifer Bostic with renovating a run-down cottage that was never meant to be lived in year round, Otto Ruano of Lead Studios transformed the space while keeping as much of it intact as possible. Potence lamps by Jean Prouvé illuminate the kitchen and living area. The bifold doors are by Loewen.
The Frankos also tackled three bathroom renovations. The main bathroom was previously dark, cramped, and dingy, but it did feature a clawfoot tub (albeit lopsided and painted a startling red). After taking it down to the studs and fixing some plumbing issues, they added a window to bring in natural light, introduced wood trim, refinished the tub, and laid new floor tiles.
Earth tones, dried plants, and a brass bed frame create a harmonious mix in one of the two upstairs bedrooms. Aiming for maximum comfort and style, Danielle and Ely brought in West Elm furniture, lighting fixtures from Hudson Valley Lighting Appliances, Parachute linens, Marshall speakers, Fireclay tile, and Tuft & Needle mattresses to furnish The Barnhouse.
It was important to ensure that the writer’s work space connect seamlessly with the rest of the apartment. The built-in shelving echoes the library shelves downstairs, and the white oak desk, designed by e.g. Projects, is consistent with the white oak cabinetry throughout. The top is wrapped in leather, in a nod to traditional writer’s desks.
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