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Collection by Romana Havelkova

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About this part of the kitchen, Chanel says, "We just had a fun with the radius corners in this space. Functionally speaking, we are rounding that corner a hundred times a day, so it's great for running children or clumsy people like me.
About this part of the kitchen, Chanel says, "We just had a fun with the radius corners in this space. Functionally speaking, we are rounding that corner a hundred times a day, so it's great for running children or clumsy people like me.
Painting the walls Benjamin Moore's Gentleman's Gray went a long way to elevate the den, which doubles as an office for Noah. Interior designer Allyson Campbell completed the space with a Roche Bobois sofa, a lounge chair by Ferm Living and pillows covered in a Garza Maria stripe (on sofa) and fabric by Pierre Frey (on the built-ins flanking the fireplace).
Painting the walls Benjamin Moore's Gentleman's Gray went a long way to elevate the den, which doubles as an office for Noah. Interior designer Allyson Campbell completed the space with a Roche Bobois sofa, a lounge chair by Ferm Living and pillows covered in a Garza Maria stripe (on sofa) and fabric by Pierre Frey (on the built-ins flanking the fireplace).
The loft extension is arranged over two levels, with the form housing the study and terrace, and the upper front section the primary bedroom and en suite.
The loft extension is arranged over two levels, with the form housing the study and terrace, and the upper front section the primary bedroom and en suite.
The cabinetry and the rebuilt fireplace—with an asymmetrical hearth and curved mantel—give the music room a retro vibe. “We spent so much time getting that right,"”says Jacoby. “The original fireplace had these curves; we wanted to echo them in the redesigned space.” The glossy green tiles surrounding the fireplace are double-glazed Heath Ceramics 2x4s in a luminous Jade hue.
The cabinetry and the rebuilt fireplace—with an asymmetrical hearth and curved mantel—give the music room a retro vibe. “We spent so much time getting that right,"”says Jacoby. “The original fireplace had these curves; we wanted to echo them in the redesigned space.” The glossy green tiles surrounding the fireplace are double-glazed Heath Ceramics 2x4s in a luminous Jade hue.
After: The loft’s high ceilings, exposed brick, and large windows were preserved, keeping the industrial shell intact while layering in warmth and modern comfort.
After: The loft’s high ceilings, exposed brick, and large windows were preserved, keeping the industrial shell intact while layering in warmth and modern comfort.
At the master bathroom, the existing white joinery was replaced with solid Birch plywood joinery, bringing warmth and intentionality to the space. Glass blocks were used as a divider between the vanity and shower. “This not only reinforces the design language, but also allows more light into the shower area, enhancing the sense of openness and comfort,” says Jun.
At the master bathroom, the existing white joinery was replaced with solid Birch plywood joinery, bringing warmth and intentionality to the space. Glass blocks were used as a divider between the vanity and shower. “This not only reinforces the design language, but also allows more light into the shower area, enhancing the sense of openness and comfort,” says Jun.
Sky blue cabinetry in the open kitchen pops against the brick floors lining the dining area.
Sky blue cabinetry in the open kitchen pops against the brick floors lining the dining area.
Villain Arjen Rudd’s modern, canyon-top lair was an integral part of the Lethal Weapon 2 screenplay from the very beginning. Its role only grew larger as the more downbeat first draft of Shane Black’s script (Gibson’s Riggs was originally fated to die at the end) was revised by Black’s successor, Jeffrey Boam. The challenge was finding an existing Los Angeles–area structure that matched the one imagined on the page. John Lautner, the American mid-century modern master who apprenticed under Frank Lloyd Wright in the 1930s, designed Garcia House in 1962 for jazz arranger Russell Garcia. It still sits high atop the Hollywood Hills at 7436 Mulholland Drive. With its unique almond eye shape topped by a curved, parabolic roof and supported by steel stilts sixty feet above the canyon below, the house is also known as the Rainbow House, after the colorful stained-glass panels that dot its facade.
Villain Arjen Rudd’s modern, canyon-top lair was an integral part of the Lethal Weapon 2 screenplay from the very beginning. Its role only grew larger as the more downbeat first draft of Shane Black’s script (Gibson’s Riggs was originally fated to die at the end) was revised by Black’s successor, Jeffrey Boam. The challenge was finding an existing Los Angeles–area structure that matched the one imagined on the page. John Lautner, the American mid-century modern master who apprenticed under Frank Lloyd Wright in the 1930s, designed Garcia House in 1962 for jazz arranger Russell Garcia. It still sits high atop the Hollywood Hills at 7436 Mulholland Drive. With its unique almond eye shape topped by a curved, parabolic roof and supported by steel stilts sixty feet above the canyon below, the house is also known as the Rainbow House, after the colorful stained-glass panels that dot its facade.
A sense of warmth envelops the bedroom filled with muted and neutral colour palette of browns and greens. Walnut stained wardrobe, pearl painted walls and textured bedding cocoon's the Parents' bedroom.
A sense of warmth envelops the bedroom filled with muted and neutral colour palette of browns and greens. Walnut stained wardrobe, pearl painted walls and textured bedding cocoon's the Parents' bedroom.
Oak veneer storage with recessed handles contributes to the minimal aesthetic. A pair of blackbird sculptures sit atop the unit while the greens liven up the space.
Oak veneer storage with recessed handles contributes to the minimal aesthetic. A pair of blackbird sculptures sit atop the unit while the greens liven up the space.
Dining nook, homeowner's favorite spot to unwind and foster conversations while sitting comfortably in custom dining chairs with an offbeat arm rest that complement the terrazzo-topped dining table. An electric blue crockery cabinet adds an element of surprise
Dining nook, homeowner's favorite spot to unwind and foster conversations while sitting comfortably in custom dining chairs with an offbeat arm rest that complement the terrazzo-topped dining table. An electric blue crockery cabinet adds an element of surprise
Embracing the “Less is more” ethos, the living room is clutter-free and minimal. A nested coffee table accompanies a custom, mushroom-toned sectional sofa. A jute rug, a fabric floor lamp and some art prints add dynamics to the space.
Embracing the “Less is more” ethos, the living room is clutter-free and minimal. A nested coffee table accompanies a custom, mushroom-toned sectional sofa. A jute rug, a fabric floor lamp and some art prints add dynamics to the space.
The home's sloping roofline guides the eye towards the outdoor living area. In the living room, occupants can relax in the Eames lounge.
The home's sloping roofline guides the eye towards the outdoor living area. In the living room, occupants can relax in the Eames lounge.
The living area boasts nearly 10-foot-high ceilings that impart a feeling of airiness and spaciousness. Discreet, built-in storage in the floor at the top of the steps prevents clutter from accumulating.
The living area boasts nearly 10-foot-high ceilings that impart a feeling of airiness and spaciousness. Discreet, built-in storage in the floor at the top of the steps prevents clutter from accumulating.
A planter is integrated under the open staircase leading to the upper floor, and a skylight in the roof illuminates the stairwell.
A planter is integrated under the open staircase leading to the upper floor, and a skylight in the roof illuminates the stairwell.
The Kelleys furnished the cottage with help from Suzanne’s daughter Betsy Burbank of Betsy Burbank Interiors. Classic modernist icons, such as a Saarinen Womb chair for Knoll, a Herman Miller Eames lounge chair, and an Eileen Grey E1027 side table look at home alongside present-day pieces such as an Encore sofa (which handily folds down into a sleeping surface) from Room & Board and a Doka rug designed and produced by Stephanie Odegard. The Wohlert pendant lights from Louis Poulsen were designed by Vilhelm Wohlert in 1959, but grouped as such, they appear distinctly contemporary.
The Kelleys furnished the cottage with help from Suzanne’s daughter Betsy Burbank of Betsy Burbank Interiors. Classic modernist icons, such as a Saarinen Womb chair for Knoll, a Herman Miller Eames lounge chair, and an Eileen Grey E1027 side table look at home alongside present-day pieces such as an Encore sofa (which handily folds down into a sleeping surface) from Room & Board and a Doka rug designed and produced by Stephanie Odegard. The Wohlert pendant lights from Louis Poulsen were designed by Vilhelm Wohlert in 1959, but grouped as such, they appear distinctly contemporary.

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