SubscribeSign In
a
Collection by Adam C Leu

Favorites

View 7 Photos
The flooring in the main room and bedroom is Worthwood Solid End Grain from Oregon Lumber.
The flooring in the main room and bedroom is Worthwood Solid End Grain from Oregon Lumber.
Architectural designer Grey Shaeffer of Willa Work designed a petite backyard guesthouse at her Portland, Oregon, home for occasions when her mom comes to visit. The siding and decking are a fused bamboo product from Dasso XTR, in classic espresso.
Architectural designer Grey Shaeffer of Willa Work designed a petite backyard guesthouse at her Portland, Oregon, home for occasions when her mom comes to visit. The siding and decking are a fused bamboo product from Dasso XTR, in classic espresso.
Shoe cubbies are built into the custom millwork shelving in the entryway.
Shoe cubbies are built into the custom millwork shelving in the entryway.
Built-in cabinetry at the entryway ensures a place for everything is baked right into the design from the start. "We try to encourage our clients on all projects to not make the house bigger than it needs to be," says Loader. "Make it the right size, and design a space for everything."
Built-in cabinetry at the entryway ensures a place for everything is baked right into the design from the start. "We try to encourage our clients on all projects to not make the house bigger than it needs to be," says Loader. "Make it the right size, and design a space for everything."
A red Crosley turntable sits on top of a custom shelving unit in the living room. The use of primary colors, also seen in the yellow Stool 60 by Alvar Aalto, is a nod to the Bauhaus, says Luise.
A red Crosley turntable sits on top of a custom shelving unit in the living room. The use of primary colors, also seen in the yellow Stool 60 by Alvar Aalto, is a nod to the Bauhaus, says Luise.
Luise Stauss, a former photo editor at The New York Times Magazine, sits in the living room of the downtown Brooklyn apartment she shares with her husband, Nicholas Blechman, the creative director of The New Yorker. The roughly 1,000-square-foot space feels larger than it is, thanks to high ceilings and bay windows. Twin 1962 Bastiano sofas by Tobia Scarpa are joined by a Cité chair by Jean Prouvé and a wood chair acquired from the New York Historical Society. The floor lamp is by David Weeks Studio.
Luise Stauss, a former photo editor at The New York Times Magazine, sits in the living room of the downtown Brooklyn apartment she shares with her husband, Nicholas Blechman, the creative director of The New Yorker. The roughly 1,000-square-foot space feels larger than it is, thanks to high ceilings and bay windows. Twin 1962 Bastiano sofas by Tobia Scarpa are joined by a Cité chair by Jean Prouvé and a wood chair acquired from the New York Historical Society. The floor lamp is by David Weeks Studio.