Collection by casey
Two passthrough in the kitchen open to the living room and breakfast nook.
Two passthrough in the kitchen open to the living room and breakfast nook.
As part of the remodel of this 1960s home in Los Angeles, owners Whitney and Carlos painted the exterior a dark charcoal hue and landscaped the property with native, low-maintenance plantings.
As part of the remodel of this 1960s home in Los Angeles, owners Whitney and Carlos painted the exterior a dark charcoal hue and landscaped the property with native, low-maintenance plantings.
The addition of skylights throughout the home brings in natural light, which bounces off clean white walls.
The addition of skylights throughout the home brings in natural light, which bounces off clean white walls.
Duplex in Gracia
Duplex in Gracia
Naturehumaine used maple plywood and white accents throughout Des Érables Residence, striking contrast with the original wood moldings of the building.
Naturehumaine used maple plywood and white accents throughout Des Érables Residence, striking contrast with the original wood moldings of the building.
When tapped to redesign a darling cottage in Brisbane's Little Italy, the team at Cavill Architects was inspired by "architecture with veneration for the past." As a result, the newly remodeled dwelling now pays homage to the Italian migrant workers' housing that was a crucial part of the Australian city's post-war settlement. The open kitchen has a warm Mediterranean-like feel and overlooks the central garden.
When tapped to redesign a darling cottage in Brisbane's Little Italy, the team at Cavill Architects was inspired by "architecture with veneration for the past." As a result, the newly remodeled dwelling now pays homage to the Italian migrant workers' housing that was a crucial part of the Australian city's post-war settlement. The open kitchen has a warm Mediterranean-like feel and overlooks the central garden.
The home’s HenryBuilt kitchen is a focal point. The yellow hues of its cabinetry are softened by white oak finishes on the floors and the kitchen island.
The home’s HenryBuilt kitchen is a focal point. The yellow hues of its cabinetry are softened by white oak finishes on the floors and the kitchen island.
The stove was kept in place in order to retain the position of the gas and venting. The designer dropped the sill on the right-side window to the floor. Sleek black cabinetry is topped with Essastone Concrete Pezzato weathered stone on the perimeter, and custom terrazzo on the island.
The stove was kept in place in order to retain the position of the gas and venting. The designer dropped the sill on the right-side window to the floor. Sleek black cabinetry is topped with Essastone Concrete Pezzato weathered stone on the perimeter, and custom terrazzo on the island.
"Around the time we were thinking of moving back [to San Francisco], I took a trip to Marfa, Texas, and fell in love with the agelessness of Donald Judd’s work," says Amy. "I liked the idea of having a classic American reference to the space, since we are influenced as much from America as we are by Asian culture."
"Around the time we were thinking of moving back [to San Francisco], I took a trip to Marfa, Texas, and fell in love with the agelessness of Donald Judd’s work," says Amy. "I liked the idea of having a classic American reference to the space, since we are influenced as much from America as we are by Asian culture."
This home that was built atop of home constructed in World War I is completely reimagined by Daniel Rabin and Annie Ritz of local architecture and design firm And And And Studio. Details like fluted white cabinetry in the kitchen give this LA home a posh look.
This home that was built atop of home constructed in World War I is completely reimagined by Daniel Rabin and Annie Ritz of local architecture and design firm And And And Studio. Details like fluted white cabinetry in the kitchen give this LA home a posh look.
A planter is integrated under the open staircase leading to the upper floor, and a skylight in the roof illuminates the stairwell.
A planter is integrated under the open staircase leading to the upper floor, and a skylight in the roof illuminates the stairwell.
Open shelves and sleek cupboards line one wall of the living room. The floor-to-ceiling glass door leads to the exterior courtyard, which is bounded by the perforated brick wall.
Open shelves and sleek cupboards line one wall of the living room. The floor-to-ceiling glass door leads to the exterior courtyard, which is bounded by the perforated brick wall.
The living room provides a cozy gathering place anchored by a vintage fireplace from Urban Americana and Cle Tile backsplash. A circular Weave Rug pulls the space together.
The living room provides a cozy gathering place anchored by a vintage fireplace from Urban Americana and Cle Tile backsplash. A circular Weave Rug pulls the space together.
In the kitchen and dining area, the Akoya pendant by Rich Brilliant Willing hangs over a Bend Goods Bistro Table; the Hoist Sconce over the Signature Hardware kitchen sink and faucet is also by RBW.  A Material Kitchen cookware set and Kinto coffee set outfits the kitchen, along with Neenineen ceramics and Snowe glassware. A SMEG fridge adds a retro touch.
In the kitchen and dining area, the Akoya pendant by Rich Brilliant Willing hangs over a Bend Goods Bistro Table; the Hoist Sconce over the Signature Hardware kitchen sink and faucet is also by RBW. A Material Kitchen cookware set and Kinto coffee set outfits the kitchen, along with Neenineen ceramics and Snowe glassware. A SMEG fridge adds a retro touch.
Oak slats in the living room echo the timber slats that enclose the entry courtyard. The black-marble Empire side tables are by local furniture brand Seer Studio, and the white-marble Tulip table is by Eero Saarinen for Knoll.
Oak slats in the living room echo the timber slats that enclose the entry courtyard. The black-marble Empire side tables are by local furniture brand Seer Studio, and the white-marble Tulip table is by Eero Saarinen for Knoll.
“We took a fair bit of influence from American Arts and Crafts houses, particularly in L.A., but with everything, I like to have a very Brisbane-centric end product,” says Wrightson.
“We took a fair bit of influence from American Arts and Crafts houses, particularly in L.A., but with everything, I like to have a very Brisbane-centric end product,” says Wrightson.

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