Collection by jennifer giffin
A dusty-pink facade is only a hint of what’s inside this 18th-century structure. For Sérgio Antunes, cofounder of Lisbon-based Aurora Arquitectos, the charming exterior and its rich pigment provided a fascinating starting point for the renovation of the Rose Building—a single-family residence in southern Portugal that his team turned into five glowing apartments in collaboration with Lisbon architecture studio FURO. Throughout are huge swaths of color with unique touches: For example, painted on the ceiling of the central stair is a moody mural of a woman in the style of a fresco, and in one of the unit’s bathrooms, more ceiling artwork depicts a mermaid emerging from a swirl of waves. Elsewhere, arched windows, sloped ceilings, ornate moldings, and wooden doors elegantly play off Portuguese marble and patterned ceramic tiles. With the go-ahead from the city, the architects were also able to construct a modern addition at the rear—The Mustard Building—that pairs natural wood partitions with the subdued tones of creamy terrazzo.
A dusty-pink facade is only a hint of what’s inside this 18th-century structure. For Sérgio Antunes, cofounder of Lisbon-based Aurora Arquitectos, the charming exterior and its rich pigment provided a fascinating starting point for the renovation of the Rose Building—a single-family residence in southern Portugal that his team turned into five glowing apartments in collaboration with Lisbon architecture studio FURO. Throughout are huge swaths of color with unique touches: For example, painted on the ceiling of the central stair is a moody mural of a woman in the style of a fresco, and in one of the unit’s bathrooms, more ceiling artwork depicts a mermaid emerging from a swirl of waves. Elsewhere, arched windows, sloped ceilings, ornate moldings, and wooden doors elegantly play off Portuguese marble and patterned ceramic tiles. With the go-ahead from the city, the architects were also able to construct a modern addition at the rear—The Mustard Building—that pairs natural wood partitions with the subdued tones of creamy terrazzo.
Sometimes all it takes is a little luck. For a young married couple, it came in the form of this rare find: a 19th-century, three-story, single-family home in the heart of Paris. The building was a charmer with good bones, but was in need of some serious care. In a vibrant retrofit by architect Pierre-Louis Gerlier that includes structural reinforcements, the reimagined design is set off with a new floor plan. The lower level now serves as a space for the couple’s children, with the public areas—including an open-plan living/dining room and kitchen—on the floor above. Upstairs, the attic has been transformed into a very large primary bedroom with a green-and-white bathroom suite. The living room (pictured) showcases the firm’s bespoke carpentry work with a beautiful, mossy-green built-in bookcase that frames a new fireplace, and a staircase surrounded by arched doorways that hold hidden storage. “We created visual breakthroughs in order to connect the different spaces,” says Gerlier. “The rounded arches are there to help magnify these moments.”
Sometimes all it takes is a little luck. For a young married couple, it came in the form of this rare find: a 19th-century, three-story, single-family home in the heart of Paris. The building was a charmer with good bones, but was in need of some serious care. In a vibrant retrofit by architect Pierre-Louis Gerlier that includes structural reinforcements, the reimagined design is set off with a new floor plan. The lower level now serves as a space for the couple’s children, with the public areas—including an open-plan living/dining room and kitchen—on the floor above. Upstairs, the attic has been transformed into a very large primary bedroom with a green-and-white bathroom suite. The living room (pictured) showcases the firm’s bespoke carpentry work with a beautiful, mossy-green built-in bookcase that frames a new fireplace, and a staircase surrounded by arched doorways that hold hidden storage. “We created visual breakthroughs in order to connect the different spaces,” says Gerlier. “The rounded arches are there to help magnify these moments.”
Beyond its gable form, the hut rejects conventions of Nordic architecture, instead drawing influence from "imaginary universes of adventure movies from the ’80s,
Beyond its gable form, the hut rejects conventions of Nordic architecture, instead drawing influence from "imaginary universes of adventure movies from the ’80s,
Jagoda installed two Velux skylights in the kitchen and one apiece in the kids’ bathroom and the parents’. “Ideally, every room in the house has enough natural light that you don’t have to turn on the lights during the day,” says the architect. The frost bathroom tile is from Heath Ceramics, while the faucet is from Vola
Jagoda installed two Velux skylights in the kitchen and one apiece in the kids’ bathroom and the parents’. “Ideally, every room in the house has enough natural light that you don’t have to turn on the lights during the day,” says the architect. The frost bathroom tile is from Heath Ceramics, while the faucet is from Vola
Floor Plan of Hayloft by Simon Knight Architects
Floor Plan of Hayloft by Simon Knight Architects
The room also features built-in bookcases fabricated by Earthbound Industries and a vintage Sesann sofa by Gianfranco Frattini for Cassina.
The room also features built-in bookcases fabricated by Earthbound Industries and a vintage Sesann sofa by Gianfranco Frattini for Cassina.
A vintage stool, a design that once was a staple of Greek classrooms, is tucked under the office desk on a landing leading to a balcony. The visual theme of the vertical wooden slats repeats itself here, including on a closet door. “They have no handles,” Ritenour says of the closet doors. “The lines are the door handles; you have to know to grab them.”
A vintage stool, a design that once was a staple of Greek classrooms, is tucked under the office desk on a landing leading to a balcony. The visual theme of the vertical wooden slats repeats itself here, including on a closet door. “They have no handles,” Ritenour says of the closet doors. “The lines are the door handles; you have to know to grab them.”

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