Collection by Alexa Damis-Wulff
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“I wanted you to come into a place that was inviting, but with a muted warmth,” says Kara of the decision to immerse the dining room in Farrow & Ball’s Green Smoke, including walls, ceiling, cabinetry, and fireplace, the latter with a relocated mantel. The table is a 17th C. Spanish Walnut Trestle Rectangular Dining Table via Restoration Hardware, surrounded by Ceremonie Green Mohair dining chairs by Athena Calderone, from Crate&Barrel. The Tambor Buffet, beneath windows that Seamus relocated from elsewhere in the house, is from Anthropologie.
This living rooms A-frame wood paneled ceiling allows lots of natural light to shine through onto its Farrow & Ball dark shiplap walls. The space boasts a large geometric rug made of natural fibers from Meadow Blu, a dark grey heather sofa from RH, a custom green Nickey Kehoe couch, a McGee and Co. gold chandelier, and a hand made reclaimed wood coffee table.
The team painted the exterior brick after patching it in places, like the section left by the removal of the door. “We could find the exact texture of brick, that classic Roman running bond, but we could not find it in the right color,” says architect Kailin Gregga. Painting the entire exterior unifies the façade. Rich Brilliant Willing “Hoist” sconces in Black was also added.
A Blu Dot bed with an Area Home duvet sits atop an Old New House rug. Carine used to work in the rug industry, so flooring tends to be a feature of her designs: “When you’re in the space a rug is a really big element,” she says. “Though not every one fo my clients is as excited about rugs as I am.” The ones used throughout this home are antique, each 50-plus years old — they’ve seen it all, making them less precious and delicate than a new design.
In 2009 on a quiet Los Angeles corner, Mel Elias found a severely water-damaged, crumbling 5,000-square-foot house hidden behind a tangle of overgrown vegetation. Its former owner, the late Hollywood acting coach Milton Katselas, had filled his property with industrial skylights and enormous, wood-burning fireplaces. The glass-and-concrete construction was framed by high ceilings, rusted steel beams, and varied elevations across the single-story plan. Thanks to an 11-year long, multiphase renovation by designer Carter Bradley, the home—with all of its quirks and character—shines again.
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!["The process of choosing [the paint color] was one of the biggest decisions we had to make,](https://images2.dwell.com/photos/6138941323646095360/7013771510388228096/original.jpg?auto=format&q=35&w=160)







