Collection by Trevor Pearson
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Cristián created slots in the rear facade so that each home’s primary bedroom could have three exposures. The voids also allowed him to install skylights that illuminate the ground floor. The detailing of the ribbed exterior was adapted from a large institutional building designed by his father—“really almost a cut and paste,” says Cristián. The overhang at the rear of the building offers partial cover for the private walled patio that each family enjoys.
While the owners really liked the idea of shou sugi ban, they opted for a more cost-effective black stain. The random-width, reverse board-and-batten siding reflects the wabi-sabi concept. “The builder said the math for the random siding was torturous,” the wife said. “We didn’t know how hard it was to make things look simple.” DeNiord planted hay-scented fern and lowbush blueberry sod around the house. “We didn't want any side of the house to feel unconsidered,” he says. As for the local boulders he placed around the house and terrace, he says, “They give the feeling that the house grew up around the outcroppings.”
Light-toned ceramic tile stacked vertically and white quartz counters are a neutral counterpoint to the pops of chartreuse in the cabinetry. Lin interspersed the closed cabinetry with sections of String shelving, from a Scandinavian modular system originally designed by Nisse and Kajsa Strinning in 1949.
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