Collection by Jana McMahon
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Built with a steel frame, the Frost House features panels of styrofoam between aluminum sheets for the exterior walls and styrofoam between plywood for the roof and floors. Bold, primary colors accentuate its geometric form.
Shortly after Karen Valentine and Bob Coscarelli purchased the home in 2016, they began to unearth nuggets of information about its pedigree. Their realtor had provided a brochure that identified the prefab as designed by architect Emil Tessin for the now-defunct Alside Homes Corporation based out of Akron, Ohio, which had held a patent for the structure’s aluminum paneling. Their new neighbors provided a stack of Alside Homes sales materials, floor plans of various models, and even a script that had been written for salespeople during home tours. They determined that the Frost House had been a sales model for the company, and that Tessin had been the son of Emil Albert Tessin, the legal guardian of Florence Knoll.
As Nicolás Tovo and Teresa Sarmiento of La Base embraced modular design as part of their architectural practice, they noticed that prospective clients were wary of prefabricated construction. So the duo teamed up with Place, an Argentine prefab builder, to make a proof of concept just outside the Patagonian resort town of Bariloche.
There are more than 1,200 window panes in the Kellogg Doolittle House. Each week, Vugrin drove to a local glass shop to pick up finished panes and drop off more patterns—and $5,000 in cash. Only the Doolittles know the total cost of the house; new owner Scott Leonard almost certainly paid millions for it.
Inspiration for the interiors of the house arrived in various guises: Jay Doolittle’s fascination with fossils and John Vugrin’s love of jazz and the way repetitive elements can be used to construct a larger work. “For the pieces I do, I’m more influenced by art, music, and sculpture and not architects,” says Vugrin, pictured here.
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