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This Denver kitchen sets a marble backsplash, that continues up the wall as the backsplash for a display shelf, against walnut cabinetry and countertops of an alternate gray material.

"Around the time we were thinking of moving back [to San Francisco], I took a trip to Marfa, Texas, and fell in love with the agelessness of Donald Judd’s work," says Amy. "I liked the idea of having a classic American reference to the space, since we are influenced as much from America as we are by Asian culture."

Custom millwork units are strategically located in every space—including hallways—to provide ample storage for the growing family.

The timber used in the scaffolding and off-cuts from the framing were kept and redeployed for furniture and accents on the walls—such as the timber block in the primary kitchen.

“My grandfather, George Fasullo, was an architect who died before I was born,” says architect Ryan Bollom. “My mom used both of our drawings as wallpaper in the secondary living space.” During the lockdown, Bollom formed an extended bubble with his parents, and he and his wife, also an architect, used the space as an office.

Fittingly named the Courtyard House, the residence features a large outdoor space tucked underneath the cantilevered upper level, providing a quiet and shaded area for Lalita to enjoy her coffee breaks. Rotated masonry blocks extend from the courtyard wall to create succulent planters.

A small recess is built into the wall, acting as a side table.

The minimalist design approach allows the materials to take center stage.

The kitchen opens directly onto the dining room; the 1954 article in Good Housekeeping noted that the dining room was separated from the walled garden by large sliding glass doors, "uniting indoors and out."

Behind the bathroom wall is the bedroom, which features sliding glass doors with access to a private deck.

“The intention of the landscape design was to create a tranquil refuge in a vibrant neighborhood for the family to entertain, play, and spend quality time together outdoors,” says the team at The Green Room Landscape Architecture. “The architecture produced multiple lines of sight that penetrate through the home, connecting the front and back yards with similar plant materials, creating a feeling that the house was planted in a scenic Sonoran meadow.”

A whimsical hand-painted mural by local painter Rob Moss Wilson livens up the bathroom adjoining the outdoor tub.

The pine interior features custom details like a rolling couch from Aquaclean and a kitchen cupboard wide enough for a paella pan. A D-7 freestanding stove from Rocal hangs on the wall.

“The house is still in its original state. Our job was to bring in some color,” says Lezanne.

The Solo chairs in the dining area are by Studio Nitzan Cohen.

Artwork by Octavia Tomyn adorns the living room, where Huggy faux-shearling chairs flank a Chub coffee table, both designed by Sarah Ellison. A neutral rug from Nikau ties the pieces together. The artwork is by Octavia Tomyn.

The floor-to-ceiling sliding doors and windows were the most expensive line item in the renovation. “The house would simply not be the same without them,” says architect Miguel Rivera. “When you are in the living area with the doors open, it creates one large indoor/outdoor space that is simply stunning.” Just beyond the kitchen, a bookcase in the hallway is painted to appear red from one side and gray from the other.