Favorites

The chromatic Paris apartment of Jean-Christophe Aumas holds a treasure trove of rare vintage furniture, displays from his work, and items curated from his travels. As the artistic director of the creative agency Voici-Voilà, he designs store windows and special events for clients like Louis Vuitton, John Galliano, Lacoste, Céline, and more; and so it’s no wonder that his own 1,023-square-foot apartment is teeming with character. The entire flat is self-designed in a fusion of his professional and personal flavors. Over herringbone wood floors, walls with painted shapes frame hanging artworks; colored cubes, created for a Sol LeWitt–themed Louis Vuitton display, pepper the space; and foraged furnishings ranging from flea market finds to designer pieces outfit the home.

This space at the end is where the kitchen nook had been.

No-fuss, sturdy materials, like Kahrs oak chevron floors that camouflage dirt and easy-care black metal siding, free up time for family. “The more durable the material, the less work to maintain it,” says Susie. Also in the kitchen is a quartz countertop by Daltile and faucet from Kohler. The windows are by Milgard.

The founder of Polly Harbison Design transformed the 1940s home where her sister, Margot, resides with her family to include a new kitchen, a bedroom with an outdoor shower, and wide-open garden views. In the main communal areas, floor-to-ceiling glass doors and wooden screens slide open completely, allowing Margot, Ewen, and their three daughters to get fresh air.

A dusty-pink facade is only a hint of what’s inside this 18th-century structure. For Sérgio Antunes, cofounder of Lisbon-based Aurora Arquitectos, the charming exterior and its rich pigment provided a fascinating starting point for the renovation of the Rose Building—a single-family residence in southern Portugal that his team turned into five glowing apartments in collaboration with Lisbon architecture studio FURO. Throughout are huge swaths of color with unique touches: For example, painted on the ceiling of the central stair is a moody mural of a woman in the style of a fresco, and in one of the unit’s bathrooms, more ceiling artwork depicts a mermaid emerging from a swirl of waves. Elsewhere, arched windows, sloped ceilings, ornate moldings, and wooden doors elegantly play off Portuguese marble and patterned ceramic tiles. With the go-ahead from the city, the architects were also able to construct a modern addition at the rear—The Mustard Building—that pairs natural wood partitions with the subdued tones of creamy terrazzo.

Milla and Nigel thought the kitchen island should anchor the first floor, and they wanted colors that matched the frescoes. Stone specialist Nick Blok found exactly what they were looking for: a monolithic piece of Italian quartzite with muted pinks and umbers in the veining.

Tweak, another kitty, sits at the brass-clad kitchen island on a Ghost stool by Philippe Starck.

Painting this diamond-plate steel backsplash a charming pink color makes the material feel less cold and industrial.

Síol Studios renovated a 1920s Spanish Colonial-style home as an L.A. getaway for a creative couple. The designers prioritized keeping the original charm of the home while updating it to accommodate an indoor/outdoor lifestyle. Each element in the home is a statement piece, particularly the custom-designed curving pink banquette. Upholstered in a durable outdoor-grade fabric, the seat is not only beautiful, but resilient against spills and wet swimsuits.

Reimagined by architect Lisa Breeze, this compact semidetached brick home in Melbourne was built by the client's granduncle in the 1940s and passed down through generations. While the kitchen was updated to fit a modern lifestyle, the pastel color, gentle curves, and preserved Bakelite handles are a nod to the original era.

The birch was custom kerfed to look like planks and finished in a white varnish. The table and peninsula were also made to fit snugly into the A-frame.

The new kitchen features a full-sized refrigerator behind the paneling, a multi-functional oven and induction cooktop, and a stainless-steel sink with integrated cutting boards. “The induction stove top was carefully chosen because it's a durable glass top and it's very efficient,” says Jones. “It's also spatially efficient because you can put a cutting board on top of it, or prepare food on top of it.”

An open shelf displays the couple’s glassware collection.

The kitchen work surface is crafted from terrazzo from InOpera, a company that reuses marble offcuts.

Pendant lights of varying height add to the whimsical feel.