Collection by NEAL WILKINSON
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An antique French farm table anchors the dining area-- it is the same table the homeowner had in her parents' house growing up. The clients had an affinity for Japanese art, including the earth 20th century Boro futon cover from Japan hanging behind the dining table, so they immediately took to the kintsugi floor idea. The table vase is by Hana Tajima, who together with Colin Moore Bradley of Maru Projects completed the kintsugi floors.
The modest two-story studio building occupies the southeastern corner of the property. Downstairs it houses Caryn’s studio, where she shares her enthusiasm for the Alexander Technique with her clients. Upstairs is where Greg and his small team dream up future architectural visions. The building is made of a lightweight steel framework entirely clad in what is traditionally a roofing material: an asphalt-colored shingle, made of only two millimeter-thick recycled rubber sheets, finished with a silicate coating (with a 20-year lifespan). The circular pavers are not actual pavers, but the residue from the pouring of the coffered slabs for House Katz. Instead of letting it go to waste, Greg asked the builders to pour the small amount of concrete left over from each newly mixed batch into a circular container. Once set, these circular shapes were popped out and stored to ultimately become a playful walkway between Caryn and Greg’s studios.
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