Collection by Blake Gansborg
This 4,080-square-foot house in Shoreline, Wahington was a former adult living facility, that has since been converted into a single-family home by Seattle firm SHED Architecture & Design. “The wall of glazing facing towards the West is still one of the most striking elements of the house,” says designer Rebecca Marsh, so it was key that any redesign maintain its integrity.
This 4,080-square-foot house in Shoreline, Wahington was a former adult living facility, that has since been converted into a single-family home by Seattle firm SHED Architecture & Design. “The wall of glazing facing towards the West is still one of the most striking elements of the house,” says designer Rebecca Marsh, so it was key that any redesign maintain its integrity.
The clients have a large collection of indoor plants, and 4 S Architecture designed a scheme with plenty of spots to display plants, from the deep windowsills to the semi-recessed extractor above the island that features an integrated shelf. “We had originally specified a fully flush extractor system, but they are very expensive,” says architect, Julia Hamson. “We went for one that is semi-recessed, so was cost effective but still has less visual impact than a dropped extractor.”
The clients have a large collection of indoor plants, and 4 S Architecture designed a scheme with plenty of spots to display plants, from the deep windowsills to the semi-recessed extractor above the island that features an integrated shelf. “We had originally specified a fully flush extractor system, but they are very expensive,” says architect, Julia Hamson. “We went for one that is semi-recessed, so was cost effective but still has less visual impact than a dropped extractor.”
The expanded kitchen has a large central island, with room for prep, seating, storage, and cooking. The cabinetry is a mix of wood, Shinnoki Milk Oak, and white fronts, Fenix NTM Bianco Kos. The terrazzo counters are by Concrete Collaborative. There are two types of tiles: the Mutina Rombini fluted tile on the island and Cepac Krave Sugar Tiles on the backsplash. “It looks very mid-century modern,” says Blaine of the backsplash tile. “But in this application, it also adds that little touch of depth that I think is really important to making the house feel interesting.” The counter stools are from Hay.
The expanded kitchen has a large central island, with room for prep, seating, storage, and cooking. The cabinetry is a mix of wood, Shinnoki Milk Oak, and white fronts, Fenix NTM Bianco Kos. The terrazzo counters are by Concrete Collaborative. There are two types of tiles: the Mutina Rombini fluted tile on the island and Cepac Krave Sugar Tiles on the backsplash. “It looks very mid-century modern,” says Blaine of the backsplash tile. “But in this application, it also adds that little touch of depth that I think is really important to making the house feel interesting.” The counter stools are from Hay.
Bathroom
Bathroom
Cheng specified brass schluter inlay between the terrazzo tiles at the floor. "These are installed in an offset Y pattern, which is the first letter of their last name," says the designer.
Cheng specified brass schluter inlay between the terrazzo tiles at the floor. "These are installed in an offset Y pattern, which is the first letter of their last name," says the designer.
Since the couple think of the addition as an “extrusion,” they “carried that theme to the rest of the house with the vertical fixtures on the stair and the vertical slats in the bathroom vanity,” says Jason. The marble sink basins are from Stone Forest. The custom shape of the mirror swirls around lights from Rich Willing and Brilliant. Faucets from Rejuvenation are mounted on white oak backplates inset into the slats.
Since the couple think of the addition as an “extrusion,” they “carried that theme to the rest of the house with the vertical fixtures on the stair and the vertical slats in the bathroom vanity,” says Jason. The marble sink basins are from Stone Forest. The custom shape of the mirror swirls around lights from Rich Willing and Brilliant. Faucets from Rejuvenation are mounted on white oak backplates inset into the slats.
The founder of Polly Harbison Design transformed the 1940s home where her sister, Margot, resides with her family to include a new kitchen, a bedroom with an outdoor shower, and wide-open garden views. In the main communal areas, floor-to-ceiling glass doors and wooden screens slide open completely, allowing Margot, Ewen, and their three daughters to get fresh air.
The founder of Polly Harbison Design transformed the 1940s home where her sister, Margot, resides with her family to include a new kitchen, a bedroom with an outdoor shower, and wide-open garden views. In the main communal areas, floor-to-ceiling glass doors and wooden screens slide open completely, allowing Margot, Ewen, and their three daughters to get fresh air.
Kitchen view from dining room
Kitchen view from dining room
Witzling and Underwood stepping out of the truck cabin.
Witzling and Underwood stepping out of the truck cabin.
The timber used in the scaffolding and off-cuts from the framing were kept and redeployed for furniture and accents on the walls—such as the timber block in the primary kitchen.
The timber used in the scaffolding and off-cuts from the framing were kept and redeployed for furniture and accents on the walls—such as the timber block in the primary kitchen.
Ice Green marble from Signorino Stone forms the backsplash and countertops. The island bench was custom built with 2PAC grooved MDF in the front and Tasmanian oak legs. The bespoke kitchen hood is made from folded metal with a bronze detail seam up the middle.
Ice Green marble from Signorino Stone forms the backsplash and countertops. The island bench was custom built with 2PAC grooved MDF in the front and Tasmanian oak legs. The bespoke kitchen hood is made from folded metal with a bronze detail seam up the middle.
The main kitchen, where Margit, left, is working with her niece Sarah, has a bright blue island that offers a striking contrast to the warm-toned wood and pink floors. “We wanted a color that would transform it into an object that really stands out in the room,” says Thurmann-Moe. “It’s almost like a sapphire.”
The main kitchen, where Margit, left, is working with her niece Sarah, has a bright blue island that offers a striking contrast to the warm-toned wood and pink floors. “We wanted a color that would transform it into an object that really stands out in the room,” says Thurmann-Moe. “It’s almost like a sapphire.”
“I studied architecture as an undergrad, and even though I’m in interiors now, that education of not overpopulating spaces, of letting the building be seamless, has always carried through for me,” says Caroline.
“I studied architecture as an undergrad, and even though I’m in interiors now, that education of not overpopulating spaces, of letting the building be seamless, has always carried through for me,” says Caroline.
In the kitchen, oak millwork pairs with simple matte black cabinetry and stone accents. Sphere pendant lights from Hub Furniture hang above the island seating, adding a simple, playful touch to the open space. Connected to the garden and main living area, the kitchen is now the ideal location for gathering with friends and family.
In the kitchen, oak millwork pairs with simple matte black cabinetry and stone accents. Sphere pendant lights from Hub Furniture hang above the island seating, adding a simple, playful touch to the open space. Connected to the garden and main living area, the kitchen is now the ideal location for gathering with friends and family.

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