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“For me, architecture is pragmatic yet joyful,” Andrew says. “The entrance cut away allows for a deep cantilevering overhang that gives shelter when it's raining, and the 1400mm-wide pivot door is pure theatrics.”

Madison points out that the pod concept would make it easy to add an extension if necessary. “We see it as a house that can grow with us—and that we can pay for as we go along.”

Weekend House, Schroeder, MN, 2009.

Renovated on a budget of approximately $100 per square foot, this 1,000-square-foot Brooklyn loft in a 1947 chocolate factory is an honest celebration of affordable materials. New Affiliates transformed the formerly dark and cluttered space into a warm, light-filled home that smartly fits two sleeping areas, a bathroom, a study, a new kitchen, and a living/dining area without losing the loft’s airy and open feel. The key to the project’s success was leaving materials and elements exposed—from the pine plywood used for the walls, panels, and cabinets to the existing pair of three-and-a-half-foot-wide Art Moderne columns that were painted white and integrated into the design, rather than hidden.

Dr. Kenneth Montague’s Toronto loft is both home and art gallery—and the ultimate party house, thanks to two kitchens, a rooftop deck, and no shortage of conversation pieces. In warm weather, Montague’s parties spill onto the roof deck. To encourage guests to explore, Peterson designed two built-in light fixtures, made from LEDs behind white acrylic panels, that cast a dramatic glow across the sauna’s custom-made wood door, designed by Peterson and crafted by carpenter Daniel Liebster.

The flooring switches from warm, engineered white oak in the living room to concrete in the kitchen to make cleaning a breeze.

“I don’t paint landscapes when I’m here because I can’t compete with the natural beauty,” says Yael.

Light oak panels by Finsa clad both the kitchen cabinetry and the built-in units that appear in the living room and entryway. "We used natural materials where we could, but we were also mindful of keeping high-touch surfaces durable," explains Anne-Marie Armstrong, co-principal of AAmp Studio.

Loon Lake Retreat floor plan

The tile backsplash matches the wall color, though it differs in texture, and the countertop is made from local granite. The light-colored wood screen set at the back of the darkly stained cabinetry mirrors the dark outside and light inside of the exterior facade.

Modern Windsor chairs by Hay surround an oak extension table by Ethnicraft. “You flip a lever and it gets larger,” Lachapelle says. The original plan called for a center island, but the owners wanted the flexibility of a table they could also use as a prep surface. The oak cabinet behind the sofa is on casters for additional utility. “We can even use it outside,” the husband says.

In the entry, a high interior window borrows light from the bedroom wing and a woven wood screen in the kitchen lets the owners see who’s at the front door. Kalon Studios crafted the bench from a single ash log. “It will split a bit over time,” Lachapelle says.

DeNiord designed a simple concrete bench with a honed top to run parallel to the randomly sized concrete pads that lead to the covered entry. He planted blueberry bushes behind the bench and a river birch tree behind the boulder. To conjure a wabi-sabi feel outdoors, diNiord poured concrete around a boulder. “It represents the interruption of perfect geometry,” he says.

A floor lamp nearly eight feet tall anchors the seating area in the living area. Ceilings that are 12 feet tall at the highest point help the room feel expansive. “We needed to find a way to define different areas in a relatively tight space,” Lachapelle says. It’s the clients’ first experience with an open floor plan. “We raised our kids in an old Victorian, and the farmhouse we live in now is chopped up into tiny rooms save for the studio we just added,” the husband says.

Interior designer Heidi Lachapelle chose unfussy furnishings with clean lines. “Nothing should feel decorative or unnecessary,” she says. “We looked for things that would age beautifully to speak to the wabi-sabi concept.” The oak daybed is by Bautier, the indoor/outdoor rug is by Dash & Albert, and the trapezoidal cushions on the concrete bench nod to similar ones that the wife saw at Georgia O’Keefe’s home and studio. The Scandinavian-inspired fireplace throws heat from two sides.