Collection by Simas Lucas Castillo
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Even as the square footage of this cottage in Fayston, Vermont, shrank in response to budget constraints, architect Elizabeth Herrmann remained focused on making the space feel warm and functional for a family of four and their dog and cat. "I think the trick to making small spaces feel much larger is to design the experience of being there,
Remarkable for its walls of triple-glazed glass, Snorre Stinessen Architecture’s Ejford Cabin straddles two stone ridges on northern Norway’s Hallvardøy Island. Perched on a concrete slab, it intentionally capitalizes upon passive solar conditions and features thick insulation to minimize energy output.
Constructed of geometric shapes that are both soft and free of sharp corners, the Wing sofa gracefully rests on an almost out-of-sight cast-metal base, giving off the impression it’s floating on air. Designed by Antonio Citterio, the sofa’s sleek proportions make it a contemporary style statement in both residential and hospitality projects.
A modest, gabled 1965 hut on the outskirts of Guatemala City was transformed into an expansive 4,467-square-foot getaway. Blurring the indoors and out, architect Alejandro Paz adhered to the original architectural elements while adding modernized touches. The roof maintains the same angle as the original hut, but reversed, while new modules give the space a new identity. With floor-to-ceiling glazing, the home allows for the residents to take in the Guatemalan forest from all angles.
One of the main goals of the construction was to do as little harm as possible to the existing environment, which includes waterways that salmon depend upon. Herrin and his team created a garden roof that covers the full extent of the home to meet this objective. “This helps control storm water runoff and also replaces lost insect habitat—insects being a critical food source for juvenile salmon,” he says.
Langston-Jones, who grew up in Malaysia and Hong Kong, was attracted to corrugated metal for its its unique edges and visible flecks of material. He left the original 1920s corrugated steel roof and filled the interior with panes of the same material, as well as walls of sanded concrete and a concrete slab. “Inside and outside, there’s only one set of finishes, which succeeds in drawing the outside inside,” he says. “The climate here is wonderful, you can virtually live outside.”
This 191-square-foot cabin near Vancouver and its glass facades "forces you to engage with the bigger landscape," architect Tom Kundig says, but it seals up tight when its owner is away. The unfinished steel cladding slides over the windows, turning it into a protected bunker. Read the full story here.
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